Yet another Facebook challenge – this time, books. It does offer an interesting opportunity to revisit the library, not just at what is important looking back, but also at book design.
Eric Frank Russell. 1905 – 1978.
The header is Wasp by Eric Frank Russell, published in 1957. The Gollancz yellow jacket Sci-Fi series was one of my staples from the Saturday morning Library visit in the 1960s. And Wasp might (in my opinion) just be the best science fiction story ever written. The book cover is the UK 1958 edition.
Russell was born near Sandhurst, his father being an instructor at the Royal Military College. In 1934, while living near Liverpool, he saw a letter in Amazing Stories from Leslie J. Johnson. Russell met Johnson, and the two wrote a novella, Seeker of Tomorrow, published in the July 1937 number of Astounding Stories. Russell became a member of the British Interplanetary Society and the British representative of the Fortean Society.
His first solo novel was Sinister Barrier, the cover story for the inaugural, May 1939 issue of Unknown, which was Astounding‘s sister magazine devoted to fantasy. It is a Fortean tale, based on Charles Fort’s famous speculation ‘I think we’re property‘. Russell won the first annual Hugo Award for Best Short Story in 1955 with his humorous Allamagoosa. 1962’s The Great Explosion won a Prometheus Hall of Fame Award in 1985, whilst Wasp had earlier been a finalist for that honor. The Science Fiction and Fantasy Hall of Fame inducted Russell in 2000.
‘There are two different and mutually incompatible accounts of Russell’s military service during World War II. The official, well-documented version is that he served with the Royal Air Force, with whom he saw active service in Europe as a member of a Mobile Signals Unit. However, in the introduction to the 1986 Del Rey Books edition of Russell’s novel Wasp, Jack L. Chalker states that Russell was too old for active service, and instead worked for Military Intelligence in London, where he “spent the war dreaming up nasty tricks to play against the Germans and Japanese”, including Operation Mincemeat. Russell’s biographer John L. Ingham states however that “there is nothing, absolutely nothing, in his R.A.F. record to show that he was anything more than a wireless mechanic and radio operator’.
Gilbert Ryle. 1900 – 1976. The Concept of Mind. 1949.
Penguin edition, 1980.
The Concept of Mind is Ryle’s best known work, and was required reading for my undergrad philosophy studies at the University of Leeds. Ryle is considered to have ended Cartesian dualism, famously denying the existence of a ‘ghost in the machine’. He writes that it is a ‘category mistake’ to try to reduce the world to either mind or body. A category mistake is, for example, to say that ‘the tide is rising’, ‘hopes are rising’ and ‘the average age of death is rising’ are all the same thing. (pg 24). Unpacking meaning is Ryle’s raison d’être, and, with the benefit of hindsight, his approach largely defines how I attempt to understand ideas and concepts in the world.
Instead, Ryle proposed that mental and physical activity occur simultaneously but separately. He was interested in the logical definition of such issues as knowledge (knowing how is not the same as knowing that); skills (not acts, but a complex of dispositions impacted by practise and learning); human behaviour (reflecting our inclinations, feelings, dispositions and not the result of some kind of occult / mystical cause and effect); and free will (not the result of a deterministic machine, but instead a mix of both voluntary and involuntary actions). Here is a classic Ryle statement ending the chapter on free will:
‘The movements of the heavenly bodies provided one kind of ‘clock’. It was the human pulse that provided the next. Nor is it merely primitive animism which makes native children think of engines as iron horses. There is very little else in Nature to which they are so closely analogous. Avalanches and games of billiards are subject to mechanical laws; but they are not at all like the workings of machines’. (pg 80).
His approach to philosophy was thus similar to that of Ludwig Wittgenstein, using ‘ordinary language’ to understand and explain philosophical concepts. Both philosophers were interested in the codification of normal human practices that are already existing, rather than creating some form of external metaphysics. In the history of philosophy, both develop on David Hume’s empiricist approach (more on him, later). However, Ryle is better seen as pursuing parallel paths rather than following in Wittgenstein’s footsteps.
Gilbert Ryle was born in Brighton, one of ten children. His father was a general practitioner with interests in philosophy and astronomy. Ryle went to Queen’s College, Oxford in 1919 initially to study Classics, but he was quickly drawn to Philosophy, graduating in 1924 in the then-new School of Philosophy, Politics and Economics. After graduation, Ryle was appointed to a lectureship in Philosophy at Christ Church College. He remained at Oxford for his entire career until retirement in 1968; in 1945 he was elected Waynflete Chair of Metaphysical Philosophy.
Warren Bennis (1925 – 2014) & Burt Nanus (1936 – ). Leaders – The Strategies for Taking Charge. 1985.
Harper & Row, 1985.
More than any other scholar, Bennis transformed the field of leadership studies. He wrote over 30 books, and it is hard to choose one. I opt for Leaders – The Strategies for Taking Charge (1985) with Burt Nanus, featuring the classic aphorism ‘Managers do the Right Things, Leaders do Things Right‘. I chose this as it is the first of his that I bought, when I was beginning my General management journey at Procter & Gamble. Warren and John W. Gardner were major influences at that time – the combination of leadership and learning, with values as fundamental, drove my own frameworks on the subject, and still feature in any training or teaching I do today.
Warren is credited perhaps more than any other in the field as defining leadership as a process, not some god-given or innate capability. Thus, leadership can be taught and learnt. He shifted the field from ‘great man’ theory to something applicable to all.
In later years I was lucky enough to meet and work with Warren. He wrote the forward to Linkage Inc’s Developing Leaders in a Global Landscape (2009, 2nd edition) to which I contributed a chapter. On another occasion Warren and I were helping facilitate a CEO’s workshop in California, around the time he and Noel Tichy had published Making Judgement Calls. At the workshop, Warren told a story researched by Daniel Baum about Lieutenant Colonel Chris Hughes of the US army. He averted a massacre in the early years of the Iraq War by telling his small unit to ‘take a knee’ rather than confront an angry and hostile crowd leaving a mosque. Baum’s original article Battle Lessons was in the New Yorker.
The moral was that there was no ‘playbook’ in the army training manual to deal with such situations – in fact, there was at the time some concern about leadership creativity ‘on the ground’ – and military instincts might have suggested fight, not flee. Lieutenant Colonel Hughes proved otherwise, exercising first-class leadership judgment.
Warren’s ability to tell a story and clearly draw the lessons was unmatched. His obituary – Harvard Business Review https://hbr.org/2014/08/warren-bennis-leadership-pioneer
Miyamoto Musashi. 1584 – 1645. A Book of Five Rings, 五輪書, Go Rin no Sho. 1645.
Victor Harris translation, 1974. Overlook Press, 24th printing.
‘It is said the Warrior’s Way is the twofold Way of pen and sword, and he should have a taste for both Ways. Even if a man has no natural ability, he can be a warrior by sticking assiduously to both divisions of the Way’. (pg 37)
Miyamoto Musashi was a unique individual. He was not a great General, but he was an unbeaten warrior, a Zen artist, and a person of unusual balance. He is a Japanese folk hero. Yet, whilst many people know his name, few know much about what he did or what he stood for. The Book of Five Rings was the result of Musashi’s lifelong search, and was written in the form of a letter to a pupil; it is his personal Zen Heiho. It is quite short, and was finished just days before he died.
Musashi developed a unique two-handed sword fighting style, which became known as Ni Ten Ichi Ryu. He gained an invincible reputation by the age of 21, to the point that he won without using a sword. Musashi was a loner, studying Zen to help his skills, although he was never a teacher.
Perhaps Musashi’s most famous duel was against Ganryu (Sasaki Kojiro) in 1613. This Long Sword expert was beaten by Musashi with a wooden pole, after a certain amount of psychological outmanoeuvring – Musashi’s lateness made Ganryu lose his self control. This combination of skill and psychology became a trademark for Musashi, and helps explain his writing. (Eli Yoshikawa’s fictional Musashi has excellent descriptions of how he fought – Kodansha, 1971).
Musashi retired into seclusion in 1643 to start to write the Book of Five Rings, a classic yet difficult work of strategy and tactics. It ought to be required reading for any serious student of the martial arts, or Japan in general, and it has often been studied in the West to get clues about the ‘Japanese way of business’, especially in the 1980’s. However, the book never really received the breadth of analysis from a business or leadership perspective that, for example, Sun Tzu’s Art of War has. Perhaps Thomas Cleary’s 1993 translation and commentary is best for this purpose.
The Go Rin no Sho has five books within it. First, the Earth (Ground) Book deals with strategy; the Water Book deals with technique; the Wind Book with competitive position; the Fire Book is about fighting; and the Book of the Void, the hardest to understand fully, deals with being one with the moment.
In this short summary, I cannot do justice to Musashi’s breadth of thinking, so I will just share a few extracts from the Earth Book that help to sum up his approach to strategy.
‘The spirit of defeating a man is the same for ten million men’. (pg. 37)
‘The warrior is different in that studying the Way of strategy is based on overcoming men’. (pg. 38)
- Do not think dishonestly.
- The Way is in training.
- Become acquainted with every art.
- Know the Ways of all professions.
- Distinguish between gain and loss in worldly matters.
- Develop intuitive judgment and understanding for everything.
- Perceive those things that cannot be seen.
- Pay attention even to trifles.
- Do nothing which is of no use’. (pg. 49)
‘There is timing (rhythm) in everything. Timing in strategy cannot be mastered without a great deal of practice’. (pg. 48).
‘In large scale strategy the superior man will manage many subordinates dextrously, bear himself correctly, govern the country and foster the people, thus preserving the ruler’s discipline’. (pg 49).
Finally, two screens attributed to Musashi.
Miyamoto Musashi. Undated. RoGan-zu (Wild Geese & Reeds), Left Panel. Eisei-bunko Museum, Tokyo.
Miyamoto Musashi. Undated. RoGan-zu (Wild Geese & Reeds), Right Panel. Eisei-bunko Museum, Tokyo.
Stan Davis & Christopher Meyer. Blur: The Speed of Change in the Connected Economy. 1998.
There was a time when I had a pretty voracious appetite for business books. This was mainly when I was actually running businesses, always trying to figure out some kind of ‘next best thing’. Well, in 1998, I found such a book. Blur really rocked my business world. It also led me to an enduring friendship with Chris Meyer, an intellectual sparring partner every day since.
Today, we might consider some of Blur‘s premises ‘obvious’. But someone had to write about those ideas, first. Davis and Meyer suggested that the world was being changed by three separate but connected forces – connectivity, speed and intangibles (‘the derivatives of time, space, and mass‘ pg. 6). The title of the book comes from the way that these forces were changing the rules of business. One-size-fits all mass production, segmented pricing and standardised jobs all worked for the slow, unconnected industrial world. But Davis and Meyer’s three forces were not only shaping how the new economy was working, but also our personal behaviours. And, for me as the leader of a consumer products business, this meant that the very nature of a brand was being reshaped in what the authors said was ‘the blur of desires, the blur of fulfilment and the blur of resources’.
Within that blur of desires, David and Meyer discussed the offer and the exchange. In my brand-oriented world, that used to be pretty simple – we made a new product for sale at a price deemed right to attract the customer. We used mass media marketing, and customers decided either to buy the product or not. Money changed hands. But Blur was one of the first books (if not the first) to note that products and services were becoming indistinguishable from each other. In parallel, buyers and sellers were in an interdependent relationship that was constantly changing. This mêlée was all driven by information and emotion, and not just money.
Similar things were happening in the fulfilment business. Markets were changing. With well-researched examples, the authors noted that ‘The blur of businesses has created a new economic model in which returns increase rather than diminish; supermarkets mimic stock markets, and you want the market — not your strategy — to price, market, and manage your offer‘ (pg. 82). As if that wasn’t enough, Blur showed that intellectual capital was the key resource and that traditional, hard assets have become intangibles.
Davis and Meyer devoted the last chapter to ‘living the blur’ – how to manage your business and your career with these ideas at their core.
As a result of this, I organised a ‘Blur Shop’ with our J&J Asia Pacific management group and Chris’ team at the Centre for Business Innovation from Cambridge, Massachusetts, in 1999/2000. Digging out my signed copy of the book, Chris’ hand written dedication on the frontispiece was ‘Hopefully an analgesic for the new economy. Best Blurs to J&J‘. 🙂
Stepping back, I still think that this was one of the best books charting our collective move into a networked society.
Adrian Henri, Roger McGough & Brian Patten. The Mersey Sound. 1967.
Penguin, revised 1983 edition.
This anthology of poems was from a trio of Liverpool poets. It was first published in 1967’s ‘Summer of Love’, whilst the music of Sergeant Pepper filled the country’s airwaves. Liverpool. of course, was then then cultural capital of the modern world, and the book’s title Mersey Sound directly plugged into that. It eventually sold over 500,000 copies (250,000 before the release of the 1983 edition), becoming one of the bestselling poetry anthologies of all time.
The music and poetry worlds were kaleidoscopically intertwined. From Wikipedia:
‘Returning to Merseyside in the early 1960s, [Roger McGough] worked as a French teacher and, with John Gorman, organised arts events. McGough and Gorman later met Mike McGear [Mike McCartney – Paul McCartney’s younger brother] and together formed the trio The Scaffold; they worked the Edinburgh Festival Fringe until they were signed to Parlophone records in 1966. The Scaffold performed a mixture of comic songs, comedy sketches and the poetry of McGough. The group scored several hit records, reaching number one in the UK Singles Chart in 1968 with their version of ‘Lily the Pink’. McGough wrote the lyrics for many of the group’s songs and also recorded the musical comedy/poetry album McGough and McGear’.
All of the poetry in The Mersey Sound is urban, youthful and direct – yet always with more than touch of down to earth humour. One poem that I especially recall was McGough’s At Lunchtime. This was written rather counter to the daily love-ins, being about the fears of a nuclear holocaust. McGough suggested that the world would end at lunchtime, solely to enable him to persuade a fellow bus passenger to make love. She did, but it didn’t 🙂
Here are the first three verses:
When the bus stopped suddenly
to avoid damaging
a mother and child in the road,
the young lady in the green hat sitting opposite,
was thrown across me,
and not being one to miss an opportunity
i started to make love.
At first, she resisted,
saying that it was too early in the morning,
and too soon after breakfast,
and anyway, she found me repulsive.
But when i explained
that this being a nuclearage
the world was going to end at lunchtime,
she hook off her green hat,
put her busticket into her pocket
and joined in the exercise.
The bus people,
and there were many of them,
But when word got around
that the world was going to end at lunchtime,
they put their pride in their pockets
with their bustickets
and made love one with the other.
At that time, I was busy painting and writing poetry, whilst discovering Zen and other forms of discovery. I was a teenager enjoying as many of the joys of the ‘Swinging Sixties’ as I could handle. Somehow my 1967 copy disappeared, hence the 1983 version.
It’s lovely to re-read this, so thank you, FaceBook challenge.
Susie Linfield. The Cruel Radiance: Photography and Political Violence. 2010.
University of Chicago Press.
Susie Linfield’s book is the most important that I read during my recent Masters program in helping me to develop an intellectually robust view on the ethics of documentary photography, and particularly images of conflict, trauma and atrocity. She challenges the idea that photography of political violence exploits the subject and panders to the viewer’s voyeuristic tendencies. Instead she argues passionately that looking at such images, and learning how to see people in them, is both ethically and politically necessary.
Linfield notes that the book
‘.. is written, in large part, against the photography criticism of Susan Sontag. This is not because Sontag was wrong about most things, on the contrary, many of her insights remain sharp and true. But it is Sontag, more than anyone else, was responsible for establishing a tone of suspicion and distrust in photography criticism, and for teaching us that to be smart about photographs means to disparage them. I am writing, even more, against the work of Sontag’s postmodern and poststructuralist heirs, and their sour, arrogant disdain for the traditions, the practice and the ideals of documentary photography. Unlike these critics I believe we need to respond to and learn from photographs rather than simply disassemble them; unlike these critics, I believe we need to look at, and into, what James Agee called “the cruel radiance of what is”’. (pg XV).
Sontag, Berger, Barthes and the postmodernists were heavily influenced by the melancholy school of the Frankfurt writers, especially Siegfried Kracauer, Walter Benjamin and Bertold Brecht. This school didn’t write just about photography, and they are treated by contemporary critics with fitting intellectual respect, but also with a kind of fundamentalist reverence, which (Linfield writes) is unhelpful. She does note that for Benjamin, photography was a part of the painful but necessary task of modernity. The photographer Eugėne Atget, who ‘set about removing the makeup from reality’, inspired in Benjamin some of his most appreciative and beautiful writing (pg 17).
Linfield argues that open-ended photographs don’t tell us what to feel, but encourage us to dig … a photograph’s ambiguities are a starting point for the viewer’s discovery of meaning and intention (pg 29).
‘Unlike Brecht, we don’t need to view photographs as carriers of a fatal emotional germ; unlike the postmodern, we don’t need to avoid emotion the way the Victorians avoided sex. Nor do we need to regard photographs simply as henchman of capitalism or tools of oppression [Sekula] … critics have crippled our capacity to grasp what John Berger called “The there was of the world”. And it is just that – the texture, the fullness of the wound outside ourselves – into which we need to delve’ (pg 30).
Linfield is arguing strongly for both the right to view and the right to critique … but not to censor. She makes it an issue of rights.
‘The establishment of human rights is a life and death project to build a “species solidarity” that is deeper and stronger than culture, nation, religion, race, class, gender or politics’ (pg 35).
The Cruel Radiance examines a great many examples of photographs of violence, atrocity and war, as well as placing images into the historic contexts of the Holocaust, the Chinese Cultural Revolution, the Cambodian Genocide, Abu Ghraib and more. She also discusses specific photographers, including Don McCullin, Robert Capa and James Nachtwey.
In a memorable phrase, she suggests:
‘Photojournalists are responsible for the ethics of showing, but we are responsible for the ethics of seeing’ (pg 60).
Every photograph involves a triangle – the photographer, the subject and the audience. All must be considered, not just in the act of creating the image, but in the act of viewing it. And all must be part of the ethical conversation enabled by photographs. Linfield’s book is well researched, thoughtfully argued, and brave.
To be continued ….
John Stuart Mill. 1806 – 1873. On Liberty, Utilitarianism and Other Essays. 1859.
Masahisa Fukase. 1934 – 2012. Ravens. 1991.
Mack Books, 2017 edition.
H.W & Dora Jane Jansen. The Picture History of Painting. 1957.
Thames & Hudson, 1963 concise edition.
David Hume. 1711 – 1776. A Treatise of Human Nature. 1738.
Oxford, Clarendon Press, 1966 impression.
Time Life. Photography. 1970 onwards.
BENNIS, Warren & NANUS, Burt. 1985. Leaders – The Strategies for Taking Charge. New York: Harper & Row.
DAVIS, Stan & MEYER, Christopher. 1998. Blur: The Speed of Change in the Connected Economy. Reading, MA: Addison-Wesley.
FUKASE, Masahisa. 1991. Ravens. 2017 Edition. London: Mack Books.
HENRI, Adrian, MCGOUGH, Roger & PATTEN, Brian. 1967. The Mersey Sound. Revised edition, 1983. London: Penguin.
HUME, David. 1738. A Treatise of Human Nature. Editor L.A. Selby-Bigge, L.A., 1888. 2010 Edition. Oxford: Clarendon Press.
JANSON, H.W & Dora Jane. 1957. The Picture History of Painting. 1963 Concise Edition. London: Thames and Hudson.
LINFIELD, Susie. 2010. The Cruel Radiance: Photography and Political Violence. Chicago: University of Chicago Press.
MILL, John Stuart. 1859. On Liberty, Utilitarianism and Other Essays. 1991, 2015 Edition. Oxford: Oxford University Press.
MUSASHI, Miyamoto. 1645. A Book of Five Rings. Trans. Victor Harris 1974. First edition, 24th printing. New York: Overlook Press.
MUSASHI, Miyamoto. 1645. The Book of Five Rings. Trans. Bradford J. Brown, Yuko Kashiwagi, William H. Barrett & Eisuke Sasagawa. 1982 edition. New York: Bantam Books.
MUSASHI, Miyamoto. 1645. The Book of Five Rings. Thomas Cleary, 1993. Boston: Shambhala.
MUSASHI, Miyamoto. 1645. The Martial Artist’s Book of Five Rings. Steve Kaufman, 1994. Vermont: Charles Tuttle.
RYLE, Gilbert. 1949. The Concept of Mind. 1980 reprint. Harmondsworth: Penguin.
RUSSELL, Eric Frank. 1957. Wasp. 1958 edition. London: Panther.
SUN TZU. 5th BC. The Art of War. Trans. Thomas Cleary, 1988. Boston: Shambhala.
YATES, Mick. 2009. Developing Leaders in a Global Landscape, in GIBER, David, LAM, Samuel, GOLDSMITH, Marshall and BOURKE, Justin (Editors). Linkage Inc’s Best Practices in Leadership Development Handbook (2nd edition). San Francisco: Pfeiffer.