The Sublime has long held fascination for me, as it applies to both landscapes and The Holocaust / Genocide. Adorno suggested that after Auschwitz, the Sublime is associated with images of genocide and atrocity. He also suggested that after Auschwitz, art is not possible. But that is another story. An excellent reader is Simon Morley’s volume The Sublime (2010) with a …
Fine Art – Redux
A good friend of mine commented on my recent Fine Art post, and raised some excellent questions. Here are some thoughts that I penned as a result. First, I recall Alasdair Macintyre’s point that discussions about non-empirical issues (such as values, ethics and aesthetics) are often doomed to failure as the ‘world views’ of the parties involved are from different …