Below you'll find a list of all posts that have been categorized as “Post-Modern”
I’ve always quite enjoyed Grundberg, not least because of his rather dismissive views on Camera Lucida, and his early championing of Cindy Sherman. Ingrid and I first saw her work in ’82, at the Stedelijk in Amsterdam, and last in 2019 at the Tate. We always found her interesting as her ‘film stills’ borrowed heavily from structured movie imagery (which …
The Sublime has long held fascination for me, as it applies to both landscapes and The Holocaust / Genocide. Adorno suggested that after Auschwitz, the Sublime is associated with images of genocide and atrocity. He also suggested that after Auschwitz, art is not possible. But that is another story. An excellent reader is Simon Morley’s volume The Sublime (2010) with a …
