Mark Sealy – Decolonising the Camera: Photography in Racial Time

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Notes from Sealy’s book: ‘Throughout this text I suggest that a photograph of a racialised subject must be both located in and then de-located from the racial and political time of its making and not solely articulated by its descriptive (journalistic) or aesthetic (artistic) concerns. I maintain that it is only within the political and cultural location of a photograph …

An Ethics Framework for Photography (Part One)

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I have been researching the ethics of photography, as developed in earlier posts during the MA. My current ‘best approach’ is a Ten Point Framework. SURFACE – THE PHOTOGRAPHIC ITSELF (Technical – Composition – Manipulation) MEANING – THE SUBJECT MATTER (Content – Symbols – Narrative – Caption) GENRE – UNIQUE CONSIDERATIONS (e.g. Documentary, Nature, News, Portrait) TIME AND PLACE (Significance …