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Notes from Sealy’s book: ‘Throughout this text I suggest that a photograph of a racialised subject must be both located in and then de-located from the racial and political time of its making and not solely articulated by its descriptive (journalistic) or aesthetic (artistic) concerns. I maintain that it is only within the political and cultural location of a photograph …
Chapter 1 .. seeing ‘Seeing comes before words. The child looks and recognises before it can speak’. (pg. 7). ‘The way we see things is affected by what we know or believe’. (pg. 8) ‘The camera showed that the notion of time passing was inseparable from the experience of the visual (except in paintings)’. (pg. 18). ‘The uniqueness of every …
