Bibliography

ABRIL, Laia. 2018. On Abortion: And the Repercussions of Lack of Access. Stockport: Dewi Lewis.

ADAMS, Robert. 1996. Beauty in Photography. 2nd Edition. New York: Aperture.

ADAMS, Tim. 2018. The Big Picture: A Street Corner in Civil Rights-era Chicago – Dave Heath. The Guardian. Available at: https://www.theguardian.com/artanddesign/2018/sep/09/the-big-picture-street-corner-civil-rights-chicago-dave-heath-dialogues-solitude (accessed 14/04/2019).

ADAMSON, Peter. 2014. Classical Philosophy: A History of Philosophy without any Gaps, Volume 1. Oxford: OUP.

ADAMSON, Peter. 2014. Philosophy in the Hellenistic and Roman Worlds: A History of Philosophy without any Gaps, Volume 2. Oxford: OUP.

ADAMSON, Peter. 2018. Philosophy in the Islamic World: A History of Philosophy without any Gaps, Volume 3. Oxford: OUP.

ADAMSON, Peter. 2019. Medieval Philosophy: A History of Philosophy without any Gaps, Volume 4. Oxford: OUP.

ADAMSON, Peter. 2020. Classical Indian  Philosophy: A History of Philosophy without any Gaps, Volume 5. Oxford: OUP.

ADDARIO, Lynsey. 2018. Of Love & War. New York: Penguin Press.

ADORNO, Theodor. 1951. Cultural Criticism and Society. In Prisms. 1967, 1997 Edition. Cambridge: MIT Press.

ADORNO, Theodor. 1966. Negative Dialectics. 2007 Edition. New York: Continuum.

ADORNO, Theodor. 1970. Aesthetic Theory. 2013 Edition, Gretel Adorno and Rolf Tiedemann, Editors. Robert Hullot-Kentor, Translator. London: Bloomsbury Academic.

ADORNO, Theodor. 1970. Aesthetic Theory. 1997 Edition, Gretel Adorno & Rolf Tiedemann, Editors. London: Continuum Books. Available at: http://www.sfu.ca/~andrewf/aesthetictheory (accessed 08/06/2019).

AGEE, James & EVANS, Walker. 1941. Let Us Now Praise Famous Men. 2006 Edition. London: Penguin.

AKALA (Kingslee Daley). 2018. Natives: Race & Class in the Ruins of Empire. London: Hodder & Stoughton.

ALGAZE, Mario. 2014. A Respect of Light. New York: Gliterrati.

ALLMER, Patricia & SEARS, John. 2014. Taking Shots: The Photography of William S. Burroughs (Photographer’s Gallery).Munich: Prestel.

ANGIER, Roswell. 2007. Training Your Gaze. 2015 2nd Edition. London: Fairchild Books.

ANKELE, Denise. 2014. Anna Atkins: 250 Cyanotypes – The First Woman Photographer. Kindle Edition.

ANSCOMBE, G.E.M. 1957. Intention. 2008 Edition. Cambridge: Harvard University Press.

ANSCOMBE, G.E.M. 1958. Modern Moral Philosophy. Philosophy 33, No. 124 January 1958. Available at: https://www.pitt.edu/~mthompso/readings/mmp.pdf (accessed 10/02/2019).

ANSCOMBE, G.E.M. & GEACH, Peter. 1954. Descartes: Philosophical Writings. London: Nelson.

ANTONINI, Marco, MINNITI, Sergio, GÓMEZ, Francisco, LUNGARELLA, Gabriele, & BENDANDI, Luca. 2018. Experimental Photography: A Handbook of Techniques. London: Thames & Hudson.

AQUINAS, St Thomas. 1265-1274. Summa Theologica. Available at http://www.ccel.org/a/aquinas/summa/ (accessed 24/05/2019).

ARAKI, Nobuyoshi & BAKER, Simon. 2007. Tales of Black Ink. 2014 Edition. London: Morel Books.

ARAKI, Nobuyoshi. 2016. Tokyo Lucky Hole. Köln: Taschen.

ARBUS, Diane. 2003. Revelations. 2015 Reprint. London: Jonathan Cape.

ARGYRIS, Chris. and SCHÖN, Donald. 1974. Theory in Practice: Increasing Professional Effectiveness. San Francisco: Jossey-Bass.

ARGYRIS, Chris. 1977. Double Loop Learning in Organizations. Harvard Business Review, September 1977. Available at: https://hbr.org/1977/09/double-loop-learning-in-organizations (accessed 10/02/2019).

ARGYRIS, Chris and SCHÖN, Donald. 1978. Organizational Learning: A Theory of Action Perspective.Reading, Mass: Addison Wesley.

ARGYRIS, Chris and SCHÖN, Donald. 1996. Organizational Learning II: Theory Method & Practice. Boston: Addison Wesley.

ARGYRIS, Chris. 2000. Flawed Advice and the Management Trap. Oxford: Oxford University Press.

ARISTOTLE. 1925. Nichomachean Ethics. W.D. Ross, translator. 2009 Edition. Oxford: Oxford University Press.

ATKINS, Anna. 1853.  Photographs of British Algae: Cyanotype Impressions(1843, 8 volumes through 1853). London: British Museum.

AUGÉ, Marc. 1995. Non-Places – Introduction to an Anthropology of Supermodernity. London: Verso. Available at: https://monoskop.org/images/3/3c/Auge_Marc_Non-Places_Introduction_to_an_Anthropology_of_Supermodernity.pdf (accessed 20/03/2019).

AURUTICK, Sharon.1989. Angkor, Heart of an Asian Empire. London: Thames & Hudson.

Australian Institute of Aboriginal and Torres Strait Islander Studies. 2002. Guidelines for Ethical Research. 2012 Edition. Available at: https://aiatsis.gov.au/research/ethical-research/guidelines-ethical-research-australian-indigenous-studies (accessed 08/08/2019).

AYER, A.J. 1936. Language, Truth and Logic. 1967 Edition. London: Victor Gollancz.

AYRES, David M. 2000. Anatomy of a Crisis. Education, Development and the State in Cambodia, 1953-1998. 2003 Edition. Chiang Mai: Silkworm Books.

AZOULAY, Ariella. 2008. The Civil Contract of Photography. New York: Zone Books.

AZOULAY, Ariella. 2010. Getting Rid of the Distinction Between the Aesthetic and the Political. Theory, Culture & Society, 27 (7-8): 239-262. Sage. Available at: https://journals.sagepub.com/doi/abs/10.1177/0263276410384750 (accessed 06/06/2018).

BAGGINI, Julian & FOSL, Peter S. 2003. The Philosopher’s Toolkit. 2020 3rd edition. Oxford: Blackwell.

BAGGINI, Julian & FOSL, Peter S. 2007. The Ethics Toolkit. Oxford: Blackwell.

BAGGINI, Julian. 2018. How the World Thinks. London: Granta.

BAKER, Simon & MAVLIAN, Shoair (Editors). 2014. Conflict – Time – Photography. London: Tate Enterprises.

BAKER, Simon & MAVLIAN, Shoair (Editors). 2016. The Radical Eye: Modernist Photography from the Sir Elton John Collection. London: Tate Enterprises.

BALZER, David. 2015. Curationism: How Curating Took Over the Art World and Everything Else. London: Pluto Press.

BANKSY, (Gunningham, Robin). 2004. Cut it Out. Weapons of Mass Disruption.

BANKSY, (Gunningham, Robin). 2005. Wall and Piece. London: Random House.

BARBERIE, Peter. 2014. Aperture Masters of Photography: Paul Strand. New York: Aperture.

BARING, Louise. 2020. Lartigue – The Boy and the Belle Époque. London: Thames & Hudson.

BARRETT, Terry. 2000. Criticising Photographs: An Introduction to Understanding Images. 3rd Edition. New York: McGraw Hill. Available at: https://monoskop.org/images/8/80/Barrett_Criticizing_Photographs_3ed_2000.pdf (accessed 20/05/2019).

BARTHES, Roland. 1977. Image-Music-Text. London: Fontana Press.

BARTHES, Roland. 1980. Camera Lucida. New York: Hill & Wang.

BARTHES, Roland. 1989. The Rustle of Language. Berkeley: University of California Press. Available at:https://monoskop.org/images/8/8a/Barthes_Roland_The_Rustle_of_Language_1989.pdf (accessed 11/02/2019).

BATCHEN, Geoffrey, GIDLEY, Mick, MILLER, Nancy K., & PROSSER, Jay (Eds.). 2012. Picturing Atrocity. London: Reaktion Books.

BATCHEN, Geoffrey. 2001. Each Wild Idea: Writing Photography History. 2002 Ed. Cambridge: MIT Press.

BATE, David. 2016. Photography: The Key Concepts. 2nd. Edition. London: Bloomsbury.

BAUDELAIRE, Charles. Undated. Wikipedia entry. Available at https://en.wikipedia.org/wiki/Charles_Baudelaire (accessed 26/03/2019).

BAUDELAIRE, Charles. 1857. Flowers of Evil. 2008 Edition. Oxford: Oxford University Press. Available at https://fleursdumal.org/1857-table-of-contents (accessed 26/03/2019).

BAUDELAIRE, Charles. 1859. On Photography: Salon of 1859. Available at https://fr.wikisource.org/wiki/Salon_de_1859 (French – accessed 26/03/2019).

BAUDRILLARD, Jean. 1981. Simulacra and Simulation. 1994 trans. Sheila Faria Glaser. Ann Arbor: University of Michigan Press.

BAUMGARTEN, Alexander. 1735 (1954 edition). Reflections on Poetry. London: Cambridge University Press. Available at https://archive.org/stream/reflectionsonpoe030202mbp/reflectionsonpoe030202mbp_djvu.txt (accessed 12/09/2019).

BAUMGARTEN, Alexander. 2013. Metaphysica: A Critical Translation with Kant’s Elucidations, Selected Notes, and Related Materials. Courtney D. Fugate & John Hymers. London: Bloomsbury.

BAYNES, Kenneth. 2016. Habermas. Abingdon: Routledge.

BEAUMONT-THOMAS, Ben. 2016. Jeff Mitchell’s best photograph: ‘These people have been betrayed by UKIP’. The Guardian.Available at: https://www.theguardian.com/artanddesign/2016/jun/22/jeff-mitchells-best-shot-the-column-of-marching-refugees-used-in-ukips-brexit-campaign (accessed 26/3/2018).

BECKER, Elizabeth. 1986. When the War was Over. 1998 Edition. New York: Public Affairs, Perseus.

BECKER, Elizabeth. 2013. Overbooked: The Exploding Business of Travel and Tourism. New York: Simon & Schuster.

BEEREN, W.A.L. & SCHOON, Talitha (Eds.). 1983. David Salle. Rotterdam: Museum Boymans van Beunigen.

BELL, Jeffrey A. 2009. Deleuze’s Hume. Edinburgh: Edinburgh University Press.

BENJAMIN, Walter. 1931. Little History of Photography. Available at: http://ls-tlss.ucl.ac.uk/course-materials/ANTH3037_59485.pdf (accessed 01/02/2019).

BENJAMIN, Walter. 1934. The Author As Producer. Available at https://monoskop.org/images/9/93/Benjamin_Walter_1934_1999_The_Author_as_Producer.pdf (accessed 08/04/2019).

BENJAMIN, Walter. 1936 (2008 Ed.). The Work of Art in the Age of Mechanical Reproduction. London: Penguin.

BENJAMIN, Walter. 1940. On the Concept of History. Available at: https://www.sfu.ca/~andrewf/books/Concept_History_Benjamin.pdf (accessed 14/08/2019).

BENJAMIN, Walter. 1997. Charles Baudelaire: A Lyric Poet In The Era Of High Capitalism. London: Verso. Part available at https://victorianpersistence.files.wordpress.com/2012/01/benjamin-ii-the-flaneur.pdf (accessed 26/03/2019).

BENTON, Maya (Ed.). 2013. Roman Vishniac Rediscovered. New York: International Center of Photography / Prestel.

BERGER, John. 1967. Understanding a Photograph. London: Penguin.

BERGER, John. 1972 (2008 Ed.). Ways of Seeing. London: Penguin.

BERGER, John. 1972. Ways of Seeing 1. Available at: https://www.youtube.com/watch?v=0pDE4VX_9Kk (accessed 04/02/2018).

BERGER, John. 1972. Ways of Seeing 2. Available at: https://www.youtube.com/watch?v=m1GI8mNU5Sg (accessed 04/02/2018).

BERGER, John. 1972. Ways of Seeing 3. Available at: https://www.youtube.com/watch?v=Z7wi8jd7aC4 (accessed 04/02/2018).

BERGER, John. 1972. Ways of Seeing 4: Available at: https://www.youtube.com/watch?v=5jTUebm73IY (accessed 04/02/2018).

BERNADÓ, Jordi. 1998. Good News *.Barcelona: Actar.

BERNADÓ, Jordi. 2002. Very Very Bad News.Barcelona: Actar.

BEWES, Timothy. 2014. To think without abstraction: on the problem of standpoint in cultural criticism. Textual Practice, Vol 28, 2014 – Issue 7. Available at: https://www.tandfonline.com/doi/full/10.1080/0950236X.2014.965467 (accessed 20/07/2020).

BEY, Dawoud. 2020. Two American Projects. San Francisco: San Francisco Museum of Modern Art.

BIRK, Lukas & FOLEY, Sean. 2008. Kafkanistan. Austria: ?Fraglich

BIRK, Lukas. 2018. One Year in Yangon 1978. Lukas Birk: Austria.

BISHOP, Claire. 2012. Artificial Hells. London: Verso Books.

BISHOP, Claire. 2012. Delegated Performance: Outsourced Authenticity. Tate Video from Inside Out: Materialising the Social Conference. http://www.tate.org.uk/context-comment/video/insideoutside-materialising-social-part-2 (accessed 5/6/2018).

BISHOP, Claire. 2013. Radical Museology. London: Koenig Books.

BISHOP, Claire. 2007. Spectacle and Participation. Tate Video from Rethinking Spectacle Conference. http://www.tate.org.uk/context-comment/video/rethinking-spectacle-video-recordings#open264811 (accessed 5/6/2018).

BLEIKER, Roland (Ed.). 2018. Visual Global Politics: Interventions. Oxford/New York: Routledge.

BOLTER, Jay David & GRUSIN, Richard. 1998. Remediation: Understanding New Media. Cambridge: MIT Press.

BOOT, Chris & SMITH, Stuart (Eds.). 2015. Hiroji Kubota Photographer. New York; Aperture Books.

BOU, Meng. 2010. A survivor from Khmer Rouge Prison S-21. Phnom Penh: Documentation Center of Cambodia.

BOURDIN, Guy. 2008. Guy Bourdin. Robert Delphire, Series Editor. Photofile. London: Thames & Hudson.

BOURGEOIS, Denis. 2010, revised 2012. The Ethics of Organizational Change. Personal Papers.

BOWMAN, Michael & PEZULLO, Phaedra. 2010. What’s so Dark about Dark Tourism – Death Tours and Disaster. Available at: https://www.academia.edu/3472823/What_s_so_dark_about_dark_tourism_Death_tours_and_performance (accessed 09/06/2019).

BOWN, Jane. 2015. A Lifetime of Looking. London: Guardian Books.

BRADSHAW, Nick. 2019. Memories of Murder: Rithy Panh on The Missing Picture. BFI. Available at: https://www.bfi.org.uk/news-opinion/sight-sound-magazine/interviews/memories-murder-rithy-panh-missing-picture (accessed 26/02/2019)

BRANDT, Bill. 2007. Bill Brandt. Robert Delphire, Series Editor. Photofile. London: Thames & Hudson.

BRECHT, Bertolt. 1931. Gesammelte Werke in 29 Bänden. 1967 Edition. Frankfurt: Suhrkamp, vol. XX, p. 42f.

BRECHT, Bertolt. 1955. War Primer. 1998 Edition. Verso: London.

BRESLIN, James E.B. 1993. Mark Rothko: A Biography. Chicago: University of Chicago Press.

BRICKELL, Katherine & SPRINGER, Simon. 2017. The Handbook of Contemporary Cambodia. Abingdon: Routledge.

BRIGHT, Susan, 2010. Autofocus: The Self-Portrait in Contemporary Photography. London: Thames & Hudson.

BRINK, Cornelia. 2000. Secular Icons: Looking at Photography from Nazi Concentration Camps.  History and Memory Vol. 12, No. 1 (Spring/Summer 2000), pp. 135-150. Indiana University. Available at: http://marcuse.faculty.history.ucsb.edu/classes/201/articles/00BrinkPhotosCampsH+M.pdf (accessed 25/04/2019).

BRIOT, Alain. 2014. How Photographs are Sold. Santa Barbara: Rocky Nook.

BROGDEN, Jim. 2019. Photography and the Non-Place: The Cultural Erasure of the City. London: Palgrave Macmillan.

BROOMBERG, Adam & CHANARIN, Olivier. 2018. War Primer 2. London: Mack.

BROUWER, Andy. 2011. To Cambodia With Love. Singapore: Things Asian Press.

BROUWS, Jeff, BURTON, Wendy, ZSCHIEGNER, Hermann (Eds.). 2013. Various Small Books: Referencing Various Small Books by Ed Ruscha. Cambridge, Mass: MIT Press.

BROWN, Mary E. and POWER, Rebecca. 2005. Exhibits in Libraries. Jefferson: McFarland & Company.

BRUTVAN, Cheryl. 2001. Sophie Ristelhueber’s Obsessions. Queen’s Quarterly, vol. 108, no. 4, 2001, pg. 501.

BUBER, Martin. 1937. I and Thou. London: Charles Scribner.

BUCHLER, Justus. 1955. Philosophical Writings of Peirce. New York: Dover. Available at http://www.urbanlab.org/articles/language/Peirce%201955%20-%20philosophical%20writings.pdf (accessed 04/02/2019).

BUCK-MORSS, Susan. 2011. Visual Studies in Global Imagination. In Politics of Imagination, Bottici & Challand. London: Birkbeck Law Press. Available at: http://susanbuckmorss.info/text/visual-studies-and-global-imagination/ (accessed 01/04/2019).

BÜHLER, Melanie. 2015. Online Image Behavior, Where Photographs Live Today. Available at: https://www.fotomuseum.ch/en/explore/still-searching/articles/27008_online_image_behavior_where_photographs_live_today (accessed 12/07/2018).

BUKKYO DENDO KYOKAI. 1991. The Teaching of the Buddha. Tokyo: Bukkyo Dendo Kyokai.

BULMER, John. 2012. The North. 2020 Edition. Bluecoat Press.

BUNRONG, Kouy. 2013. Ethics and Cambodian Worldviews on Nature. Ethics in Science and Environmental Politics, Vol 13, 2013. Available at: https://www.int-res.com/articles/esep2013/13/e013p049.pdf (accessed 2-/05/2019).

BURCH, Robert. 2001. Charles Sanders Peirce. The Stanford Encyclopedia of Philosophy (Winter 2018 Edition). Edward N. Zalta (Editor). Available at: https://plato.stanford.edu/archives/win2018/entries/peirce/ (accessed 23/05/2019).

BURGIN, Victor. 1986. The End of Art Theory: Criticism and Modernity. London: Macmillan Education.

BURKE, Edmund.1757. A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and the Beautiful. 1990, 2015 edition. Oxford: Oxford University Press.

BURKE, Edmund.1757. A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and the Beautiful.Oxford: Oxford Paperbacks. Also available at: https://ebooks.adelaide.edu.au/b/burke/edmund/sublime/index.html (accessed 24/05/2019).

BUSH, Lewis. 2018. Metropole. London: Overlapse.

BUTLER, Judith. 2011. Hannah Arendt’s challenge to Adolf Eichmann. The Guardian. Available at: https://www.theguardian.com/commentisfree/2011/aug/29/hannah-arendt-adolf-eichmann-banality-of-evil (accessed 16/10/2019).

BUTTURINI, Gian. 1969. London. Martin Parr, Editor, 2017 Edition. Bologna: Damiani.

CAIRNS, Antony. 2013. LDN. London: Archive of Modern Conflict.

CAMPANY, David. 2003. Safety in Numbness: Some Remarks on Problems of ‘Late Photography’. David Campany website. Available at: http://davidcampany.com/safety-in-numbness/ (accessed 26/3/2018).

CAMPANY, David (Editor). 2007. The Cinematic. Documents of Contemporary Art. London: Whitechapel Gallery.

CAMPANY, David. 2012. Art and Photography (Theme & Movements). London: Phaidon.

CAMPANY, David. 2014. The Open Road. New York: Aperture.

CAMPANY, David. 2015. Aperture Masters of Photography: Walker Evans. New York: Aperture.

CAMPANY, David. 2018. So Present, So Invisible. Rome: Contrasto Books.

CAMPANY, David (Curator). 2020. The Lives and Loves of Images: Biennale Für Aktuelle Fotografie. Berlin: Kehrer.

CAPA, Robert. 2008. Robert Capa. Robert Delphire, Series Editor. Photofile. London: Thames & Hudson.

CARLSEN, Thomas Weber & KROGSGAARD, Jan. 2011. Voices of Cambodia Trailer. Available at: https://www.youtube.com/watch?v=pkape7qTI_I (accessed 13/07/2018).

CARLSON, Allen. 2007. Environmental Aesthetics. The Stanford Encyclopedia of Philosophy (Summer 2019 Edition). Edward N. Zalta (E). Available at: https://plato.stanford.edu/archives/sum2019/entries/environmental-aesthetics/ (accessed 24/05/2019).

CARMAN, Taylor. 2008. Merleau-Ponty.Abingdon: Routledge.

CARRISON, Muriel Pashkin. 2011. Cambodian Folk Stories from the Gatiloke. Boston: Tuttle.

CARTIER-BRESSON, Henri.1952. The Decisive Moment. 2014 Ed. Göttingen: Steidl.

CASWELL, Michele. 2014. Archiving the Unspeakable: Silence, Memory, and the Photographic Record in Cambodia. Madison: University Wisconsin.

CAVELL, Stanley. 1985 (Spring Ed.). What Photography Calls Thinking. New Brunswick: Raritan Review.

CESCHEL, Bruno. 2015. Self Publish, Be Happy. New York: Aperture.

CHAM, Jorge. 2009. Core Principles in Research. Available at: http://phdcomics.com/comics/archive.php?comicid=1237 (accessed 2/9/2018).

CHANCEL, Philippe. 2019. Datazone. Paris: Editions Photosynthèses.

CHANDA, Nayan. 1986. Brother Enemy: Indochina since Saigon. Bangkok: Asia Books.

CHANDLER, David. 1983. A History of Cambodia. 1986 Edition. Boulder: Westview Press.

CHANDLER, David. 1992. Brother Number One: Biography of Pol Pot. 1999 Edition. Boulder: Westview.

CHANDLER, David. 1999. Voices from S-21. 2000 Edition. Chiang Mai: Silkworm Books.

CHANDLER, David. 2008. Cambodia Deals with its Past: Collective Memory, Demonisation and Induced Amnesia. Totalitarian Movements and Political Religions, Vol 9, June-Sept 2008. Available at: https://www.tandfonline.com/doi/abs/10.1080/14690760802094933 (accessed 08/08/2018).

CHAPMAN, Chris. 2000. Wild Goose & Riddon. Tiverton: Halsgrove.

CHARRIER, Philip. 2010. The Making of a Hunter: Moriyama Daidō 1966–1972. Available at: https://www.tandfonline.com/doi/pdf/10.1080/03087290903361431 (accessed 09/08/2020).

CHARRIER, Philip. 2017. Taki Kōji, Provoke, and the Structuralist Turn in Japanese Image Theory, 1967–70. Available at: https://www.tandfonline.com/doi/full/10.1080/03087298.2017.1292656 (accessed 09/08/2020).

CHARRIER, Philip. 2017. Nakahira Takuma’s ‘Why an Illustrated Botanical Dictionary?’ (1973) and the quest for ‘true’ photographic realism in post-war Japan. Available at: https://www.tandfonline.com/doi/full/10.1080/09555803.2017.1368689 (accessed 09/08/2020).

CHASKIELBERG, Alejandro. 2011. La Creciente. Portland: Nazraeli Press.

CHENG, Xiangzhan. 2013. Aesthetic Engagement, Ecosophy C, and Ecological Appreciation. Contemporary Aesthetics Vol II, 2013. Available at: https://quod.lib.umich.edu/c/ca/7523862.0011.009/–aesthetic-engagement-ecosophy-c-and-ecological-appreciation?rgn=main;view=fulltext (accessed 24/05/2019).

CHENG, Xiangzhan 2016. Ecosophy and Ecoaesthetics: A Chinese Perspective. In Zapf, H. (ed.) Handbook of Ecocriticism and Cultural Ecology Berlin: De Gruyter, pp. 481-494.

CHHANG, Youk, & MAKARA, Ouch. 2015. The Urns: Nothing is Permanent. Available at: http://d.dccam.org/Archives/Photographs/pdf/The_Urns_Spreads_Page–Email.pdf (accessed 02/11/2018).

CHOPRA-GRANT, Mike. 2006. Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir. London: I.B. Tauris.

CHUM, Mey. 2010. Survivor. Phnom Penh: Documentation Center of Cambodia.

CLARK, Edmund. 2010. Guantanamo: If The Light Goes Out. Stockport: Dewi Lewis Publishing.

CLARK, Edmund. 2018. In Place of Hate. Birmingham: Ikon Gallery.

CLARKE, Graham. 1997. The Photograph: A Visual and Cultural History. Oxford: Oxford University Press.

CLARKE, Michael. 2007. Verbalising the Visual Translating Art and Design into Words.Lausanne: Ava Books.

CLAYTON, Cam. 2011. The Psychical Analogon in Sartre’s Theory of the Imagination. Sartre Studies International Vol. 17, No. 2, pp. 16-27.

CLEWIS, Robert R. 2018. Beauty and Utility in Kant’s Aesthetics – The Origins of Adherent Beauty. Journal of History of Philosophy, Vol 56, No 2, April 2018. Available at: https://muse.jhu.edu/article/690706/summary (accessed 27/05/2019).

COATES, Karen J. 2005. Cambodia Now; Life in the Wake of War. North Carolina: MacFarland & Co.

COHEN, Alan. 2003. On European Ground. Chicago: University of Chicago Press.

COHON, Rachel. 2004. Hume’s Moral Philosophy. The Stanford Encyclopedia of Philosophy (Fall 2018 Edition). Edward N. Zalta (Editor). Revised 2018. Available at: https://plato.stanford.edu/archives/fall2018/entries/hume-moral/ (accessed 11/09/2018).

COLBERG, Jörg. 2017. Understanding Photo Books. New York & London: Focal Press.

CONFUCIUS. 2013. Analects, with Selections from Traditional Commentaries. Edward Slingerland, translator. Indianapolis: Hackett Publishing.

COSTELLO, Diarmuid. 2005. Aura, Face, Photography: Re-Reading Benjamin. Warwick: University of Warwick. Available at: https://warwick.ac.uk/fac/soc/philosophy/people/costello/costello_benjamin__photography.pdf (accessed 26/01/2019).

COSTELLO, Diarmuid. 2018. On Photography: A Philosophical Inquiry.Abingdon: Routledge.

COTTON, Charlotte. 2004. The Photograph as Contemporary Art. 2014 Edition. London: Thames & Hudson.

COTTON, Charlotte. 2018. Public, Private, Secret – On Photography & The Configuration of Self. New York: Aperture.

COURTNEY, Richard. 1971. Imagination and the Dramatic Act: Comments on Sartre, Ryle, and Furlong. The Journal of Aesthetics and Art Criticism, Vol. 30, No. 2.

CREED, Barbara & HOORN, Jeanette (Eds.) 2001. Body Trade. 2013 Edition. London: Routledge. Available at: http://beet.the-eye.eu/public/concen.org/01052018_updates/Sins%20of%20Colonialism%20-%20Collection%2021%20%28..%20in%20Asia%2C%20Australia%205%29/Creed%20%26%20Hoorn%20%28Eds.%29%20-%20Body%20Trade%3B%20Captivity%2C%20Cannibalism%20and%20Colonialism%20in%20the%20Pacific%20%282013%29.pdf (accessed 08/08/2019).

CUBIT, Sean. 2914. The Practice of Light. Cambridge: MIT Press.

CULLINAN, Nicholas. 2011. Robert Rauschenberg Photographs 1949-1962. London: Thames & Hudson.

CURTIS, Edward S. 2019. The North America Indian. Köln: Taschen.

CURTIS, Edward S. 1907. The North American Indian: Volume One. Available at: http://curtis.library.northwestern.edu/curtis/toc.cgi?sec=nai.01.book,&psec=nai.01,#nai.01.book (accessed 08/08/2019).

CURTIS, Grant. 1998. Cambodia Reborn? Washington: Brookings Institute.

CURTIS, James & GRANNEN, Sheila. 1980. Let Us Now Appraise Famous Photographs – Walker Evans and Documentary Photography. Winterthur Portfolio, Vol. 15, No. 1 (Spring, 1980), pp. 1-23. Published by: The University of Chicago Press on behalf of the Henry Francis du Pont Winterthur Museum, Inc. Available at: https://www.jstor.org/stable/1180723?seq=1#metadata_info_tab_contents (accessed 13/08/2019).

DALAI LAMA. 1999. Ethics for the New Millennium. New York: Riverhead Books.

DARABI, Hannah. 2019. Enghelab Street: A Revolution through Books: Iran 1979-1983. Leipzig: Spector Books.

DC-CAM. 2007. A History of Democratic Kampuchea (1975-1979). Available at: http://www.d.dccam.org/Projects/Genocide/DK_Book/DK_History–EN.pdf (accessed (18/06/2018).

DC-CAM. 2009. Teacher’s Guidebook: The Teaching of ‘A History of Democratic Kampuchea (1975-1979). Phnom Penh: DC-Cam.

DE BEAUPRÉ, Antoine, VINCENDET, Serge & STOURDZÉ, Sam (Editors). 2016. Total Records: Photography and the Art of the Album Cover. New York: Aperture.

DE DUVE, Thierry. 1978. Time Exposure and Snapshot: The Photograph as Paradox. In CAMPANY, David (Editor). 2007. The Cinematic. Documents of Contemporary Art. London: Whitechapel Gallery.

DE DUVE, Thierry. 2018. Aesthetics at Large: Kant got it Right. Chicago: University of Chicago.

DE MIDDEL, Christina. 2012. The Afronauts. Available at: http://www.lademiddel.com/the-afronauts-1.html (accessed 7/6/2018).

DE WILDE, Edy and PETERSEN, Ad. 1982. 60-80 Attitudes Concepts Images. Amsterdam: Stedelijk Museum.

DEAKIN, John. 2020. Faces of Africa. Self-Published.

DEARING, Christopher & DY, Khamboly. 2014. A History of the Anlong Veng Community. Phnom Penh: Sleuk Rith Institute (SRI) / Documentation Center of Cambodia (DC-Cam).

DEARING, Christopher & LY, Sok-Kheang. A History of the Anlong Veng Community: Guidebook for Tour Guides. Phnom Penh: Sleuk Rith Institute (SRI) / Documentation Center of Cambodia (DC-Cam).

DEGHETT, Tori Rose. 2014. The War Photo No One Would Publish. The Atlantic. Available at: https://www.theatlantic.com/international/archive/2014/08/the-war-photo-no-one-would-publish/375762/ (accessed 17/03/2019).

DELEUZE, Gilles. 1953. Empiricism and Subjectivity: An Essay on Hume’s Theory of Human Nature. 1991 Edition. New York: Columbia University Press.

DELEUZE, Gilles. 1968. Difference and Repetition. 1994 translation, Paul Patton. New York: Colombia University Press.

DERRIDA, Jacques. 1987. The Truth In Painting. Chicago: University of Chicago. Available at: http://www.thing.net/~rdom/ucsd/Borders/jacques-derrida-the-truth-in-painting1.pdf (Accessed 17/05/2020).

DERRIDA, Jacques, 2010. A Conversation on Photography (edited by G. Richter). Stanford: Stanford University Press.

DI BELLO, Patrizia (Ed.). 2012. The Photobook. New York: I.B Tauris & Co.

DIDDION, Joan. 1983. Salvador. 2017 Edition. London: Granta Books.

DIDI-HUBERMAN, Georges. 2008. Images in Spite of All. 2012 Edition. Chicago: University of Chicago Press.

DILLON, Brian. 2011. Rereading: Camera Lucida by Roland Barthes. The Guardian. Available at: https://www.theguardian.com/books/2011/mar/26/roland-barthes-camera-lucida-rereading (accessed 26/3/2018).

DITH, Pran. 1997. Children of Cambodia’s Killing Fields. Chiang Mai: Silkworm Books.

DITH, Pran. 1997. Children of Cambodia’s Killing Fields. New Haven: Yale University Press.

DODD, Savannah. 2017. Understanding Photography Ethics In Social Research. SRA Research Matters, Sept 2017. Available at: https://www.academia.edu/36106052/Understanding_photography_ethics_in_social_research (accessed 20/02/2019).

DOYLE, Michael W. 1995. UN Peacekeeping in Cambodia. Boulder: Rienner.

DUNCAN, David Douglas. 1951. This is War. 1990 Edition. Toronto: Little Brown and Company.

DUNCAN, David Douglas. 1968. I Protest! New York: Signet Books.

DUNCAN, David Douglas. 1980. Viva Picasso.New York: Viking Press.

DUNCAN, David Douglas. 2003. Photo Nomad. New York: W.W. Norton.

DUFOUR, Diane & WITOVSKY, Matthew S. 2017. Provoke: Between Protest and Performance.Göttingen: Steidl.

DUNLOP, Nic. 2005. The Lost Executioner. London: Bloomsbury.

DURDEN, Mark. 2013. Fifty Key Writers on Photography. Oxford: Routledge.,

DURMUŞ, Erdinç and ALAN, Bülent. 2017. Marxist Criticism, The Frankfurt School and Walter Benjamin. Journal of Academic Social Science Studies, Spring 2017. Available at: https://www.jasstudies.com/Makaleler/1776206419_7-Yrd.%20Doç.%20Dr.%20Erdinç%20Durmuş.pdf (accessed 08/04/2019).

DYER, Geoff. The Street Philosophy of Gary Winogrand. Austin; University of Texas.

EBIHARA, MORTLAND & LEDGERWOOD. 1994. Cambodian Culture since 1975. Ithaca: Cornell University Press.

EGE, Christine. 2016. Visualizing a new Kampuchea – Developing a Post Khmer Rouge National Art Identity. Zaman (Paragon) University, Phnom Penh. Available at: https://www.academia.edu/31870828/VISUALIZING_A_NEW_KAMPUCHEA_Developing_a_Post_Khmer_Rouge_National_Art_Identity (accessed 01/05/2019).

EGGLESTON, William & NEMEROV, Alexander. 2016. William Eggleston: The Democratic Forest – Selected Works. New York: David Zwirner.

ELKINS, James. 1998. What Painting Is. New York: Routledge.

ELKINS, James. 1999. The Object Stares Back: On the Nature of Seeing. 2014 Edition. New York: Simon & Schuster.

ELKINS, James. 1999. Why are Our Pictures Puzzles? New York: Routledge. Available at: https://www.academia.edu/3232905/Why_Are_Our_Pictures_Puzzles_On_the_Modern_Idea_of_Pictorial_Complexity?email_work_card=view-paper (accessed 17/05/2020).

ELKINS, James, VALIAVICHARSKA, Zhivia and RIM, Alice. 2010. Art and Globalization. Pennsylvania: University of Pennsylvania.

ELKINS, James. 2011. What Photography Is. New York: Routledge.

ELKINS, James. 2011. Against the Sublime. In Beyond the Finite: The Sublime in Art and Science. Editors Roald Hoffmann & Iain Boyd Whyte. New York: Oxford University Press. Available at: https://www.academia.edu/163451/Against_the_Sublime (accessed 30/08/2020).

EMERLING, Jae. 2012. Photography History and Theory. Abingdon: Routledge.

ETCHESON, Craig. 1999. THE NANALYSIS -The Number: Quantifying Crimes Against Humanity in Cambodia. DC-Cam. Available at: http://www.d.dccam.org/Projects/Maps/Mass_Graves_Study.htm (accessed 20/09/2018).

EVANS, Walker. 2007. Walker Evans. Robert Delphire, Series Editor. Photofile. London: Thames & Hudson.

EVANS, Walker. 2012. American Photographs: Anniversary Edition. New York: Museum of Modern Art.

FARR, Ian. 2012. Memory. Documents of Contemporary Art. London: Whitechapel Gallery.

FARRELL, David. 2001. Innocent Landscapes. Stockport: Dewi Lewis.

FAWTHROP, Tony and JARVIS, Helen. 2004. Getting Away With Genocide?London: Pluto Press.

FELLUGA, Dino. 2015. Critical Theory: The Key Concepts. Abingdon: Routledge.

FENG, Gia-Fu & ENGLISH, Jane. 1972. Lao Tsu, Tao Te Ching. New York: Vintage Books.

FINK, Larry. 2014. On Composition and Improvisation. New York: Aperture.

FINKELSTEIN, Norman G. 2000. The Holocaust Industry. 2003 Edition. London: Verso.

FLUSSER, Vilém. 1983. Towards a Philosophy of Photography. 2000. Edition. London: Reaktion Books.

FLUSSER, Vilém. 1985. Into the Universe of Technical Images. 2011 Edition. Minneapolis: University of Minnesota.

FLUSSER, Vilém. 1991. The Gesture of Photographing. Trans. Nancy Ann Roth, 2011. Journal of Visual Culture, December 2011. Available at: https://journals.sagepub.com/doi/pdf/10.1177/1470412911419742 (accessed 07/07/2019).

FONTCUBERTA, Joan (Ed). 2002. Photography. Crisis of History. Barcelona: Actar.

FONTCUBERTA, Joan. 2014. Pandora’s Camera: photogr@phy after photography. London: Mack.

FOSTER, Hal, KRAUSS, Rosalind, BOIS, Yve Alain, BUCHLOH, Benjamin H.D., and JOSELIT, David. 2004. Art Since 1900. 2016 3rd Edition. London: Thames & Hudson.

FOUCAULT, Michel. 1969. Archaeology of Knowledge. 2002 Edition. Abingdon: Routledge.

FOUCAULT, Michel. 1973. Seeing and Knowingin the Birth of the Clinic: An Archaeology of Medical Perception. New York: Pantheon Books.

FOUCAULT, Michel. 1977. Discipline and Punishment. London: Allen Lane.

FRAENKEL, Jeffrey. 1999. 20twenty. San Francisco: Fraenkel.

FRANK, Robert. 1958. A Statement. US Camera Annual, pg. 115. Available at: https://www.americansuburbx.com/2012/07/robert-frank-a-statement-1958.html (accessed 02/04/2019).

FRANKEL, Felice. 2002. Envisioning Science: The Design and Craft of the Science Image. Cambridge, Massachusetts: MIT Press.

FRANKFURT, Harry. 2005. On Bullshit. Princeton: Princeton University Press.

FRANKFURT, Harry. 2015. On Inequality. Princeton: Princeton University Press.

FRANKFURT, Harry. 2006. On Truth. Princeton: Princeton University Press.

FRANKOPAN, Peter. 2015. The Silk Roads. London: Bloomsbury.

FRANKOPAN, Peter. 2018. The New Silk Roads. London: Bloomsbury.

FREDLAKE, Christopher & Wang, Kai Wang. 2008. EINSTein goes to War. Available at: https://www.cna.org/CNA_files/PDF/D0018865.A1.pdf (accessed 23.6.2018).

FREEMAN, Michael & JACQUES, Claude.1999. Angkor. London: Houghton Mifflin.

FREY, Verena. 1990. 75 Jahre Leica Fotografie. Solms: Leica Camera

FRITH, Katherine Toland (Ed.). 1998. Undressing the Ad: Reading Culture in Advertising. 2006 Edition. New York: Peter Lang.

FRITSCH, Lena. 2018. Ravens & Red Lipstick: Japanese Photography since 1945. London: Thames & Hudson.

FRIZOT, Michel & ROUMETTE, Sylvain. 1986. Early Colour Photography. Paris: Pantheon.

FRIZOT, Michel. 1994. A New History of Photography. 1998 English Edition. Mönchengladbach: Köneman.

FRYER, Peter. 1984. Staying Power: The History of Black People in Britain. 2018 Edition. London: Pluto Press.

FUCHS, R., MIGNOT, D. & MULDER, A. 1999. David Salle. Ostfildern-Ruit: Hatje Cantz Verlag.

FUKASE, Masahisa. 1991. Ravens. 2017 Edition. London: Mack Books.

FULFORD, Jason. 2014. The Photographer’s Playbook: 307 Assignments and Ideas. New York: Aperture.

GASKELL, Nathaniel and GUJRAL, Diva. 2018. Photography in India. London: Prestel.

Gatiloke Stories. Available at http://khmerstudies.org/wp-content/uploads/2013/06/2.-Cambodian-Folk-Stories-from-the-Gatiloke.pdf?lbisphpreq=1 (accessed 03/11/2018).

GAUTRAND, Jean Claude (Ed.). 2014. Paris: Portrait d’une Ville.Köln: Taschen.

GAUTRAND, Jean Claude (Ed.). 2016. Eugène Atget, Paris. Köln: Taschen.

GEACH, Peter & Black, Max. 1960. Philosophical Writings of Gottlob Frege. 2nd Edition. Oxford: Blackwell.

GEFTER, Philip. 2015. Photography After Frank. New York: Aperture.

GERT, Bernard. 2002. The Definition of Morality. The Stanford Encyclopedia of Philosophy (Fall 2017 Edition), Edward N. Zalta (ed.), Available at: https://plato.stanford.edu/archives/fall2017/entries/morality-definition/ (accessed 20/05/2019).

GHIRRI, Luigi. 2017 Edition. Kodachrome. London: Mack Books.

GHIRRI, Luigi. 2017. The Complete Essays. London: Mack Books.

GIOVANNELLI, Alessandro. 2005. Goodman’s Aesthetics. The Stanford Encyclopedia of Philosophy. Edward N.Zalta (Ed.). Revised 2017. Available at: https://plato.stanford.edu/archives/fall2017/entries/goodman-aesthetics (accessed 26/3/2018).

GIRARDIN, Daniel & PIRKER, Christian. 2012. Controversies; A Legal and Ethical History of Photography. Arles: Actes Sud Publishers.

GLANZBERG, Michael. 2018. Truth. The Stanford Encyclopedia of Philosophy, Edward N. Zalta (Ed.). Available at: https://plato.stanford.edu/archives/win2016/entries/truth (accessed 10/02/2018).

GLICKMAN LAUDER, Judy. 2018. Beyond the Shadows: The Holocaust and the Danish Exception. New York: Aperture.

GOLDBERG, Jim. 2008. War Is Only Half The Story: The Aftermath Project, Volume 1: V1. New York: Aperture.

GOLDBERG, Vicky & Robert Silberman. 1999. American Photography: A Century of Images. PBS. San Francisco: Chronicle Books. Available at: https://monoskop.org/images/5/58/Goldberg_Vicki_Silberman_Robert_American_Photography_A_Century_of_Images_1999.pdf (accessed 08/09/2019).

GOLDEN, Reuel. 2012. London: Portrait of a City. Köln: Taschen.

GOMBRICH, E.H. 1948. Icones Symbolicae: The Visual Image in Neo-Platonic Thought. Warburg Institute. Journal of the Warburg and Courtauld Institutes, Vol. 11 (1948), pp. 163-192. Available at: https://www.jstor.org/stable/pdf/750466.pdf?refreqid=excelsior%3Ab7a8c88d1921ce46d90f412adb7767c1 (accessed 08/02/2019).

GOMBRICH, E.H. 1950. The Story of Art. 12th Edition, 1972. London, Phaidon Press.

GOMBRICH, E.H. 1960. Art & Illusion. 6thEdition, 2004. London: Phaidon Press.

GOODMAN, Nelson. 1968. Languages of Art: An Approach to a Theory of Symbols. 1976 Edition. Indianapolis: Hackett Publishing Company.

GORDON, Linda. 2014. Aperture Masters of Photography: Dorothea Lange. New York: Aperture.

GOTTESMAN, Evan. 2002. Cambodia after the Khmer Rouge. New Haven: Yale University Press.

GRACYK, Theodore. 2016. Hume’s AestheticsThe Stanford Encyclopedia of Philosophy. Edward N. Zalta (Editor). Available at https://plato.stanford.edu/entries/hume-aesthetics/ (accessed 12/09/2018).

GRANT, Scott. 2014. Professional Photography: The New Global Landscape Explained. London: Routledge.

GREENBERG, Clement & O’BRIAN, John (Ed.). 1955. The Collected Essays and Criticism. Chicago: University of Chicago Press.

GREENOUGH, Sarah. 2009. Looking In: Robert Frank’s ‘The Americans’.Washington: National Gallery of Art/Steidl.

GRIFFIN, Douglas. 2002. The Emergence of Leadership: Linking Self-Organisation and Ethics. Abingdon: Routledge.

GRIFFITHS, Philip Jones. 1971. Vietnam Inc.2001 Edition. Paris: Phaidon.

GROOM, Amelia. 2013. Time. Documents of Contemporary Art. London: Whitechapel Gallery.

GRUNDBERG, Andy. 1981. Death in the Photograph. New York Times. Available at: http://www.nytimes.com/1981/08/23/books/death-in-the-photograph.html?pagewanted=all (accessed 26/3/2018).

GRUNDBERG, Andy. 1988. A Quintessentially American View of the World. New York Times. Available at: https://www.nytimes.com/1988/09/18/arts/photography-view-a-quintessentially-american-view-of-the-world.html (accessed 6/3/2019).

GRUNDBERG, Andy. 1989. Blaming a Medium for its Message. New York Times, Arts and Leisure section. Available at: http://www.nytimes.com/1989/08/06/arts/photography-view-blaming-the-medium-for-its-message.html?pagewanted=all (accessed 26/03/2018).

GRUNDBERG, Andy. 1999. Crisis of the Real: Writings in Photography. 2010 Edition. New York: Aperture.

GUIGNON, Charles. 2004. On Being Authentic. Abingdon: Routledge.

HABERMAS, Jürgen, 1981. The Theory of Communicative Action. 1984 Translation. Cambridge: Polity Press. Available at: https://teddykw2.files.wordpress.com/2012/07/jurgen-habermas-theory-of-communicative-action-volume-1.pdf (accessed 26/07/2020).

HACKETT, Sophie, KUNARD, Andrea & STAHEL, Urs (Eds.). Anthropocene: Burtynsky, Baichwal, De Pencier. Fredericton: Goose Lane.

HALL, David L. & AMES, Roger T. 1998. Thinking from the Han: Self, Truth, and Transcendence in Chinese and Western Culture. New York: State University of New York Press.

HALL, Stewart. 2013. Representation: Cultural Representations and Signifying Practices. 2nd Edition. London: Sage.

HALPERN, Gregory. 2017. ZZYZX.London: Mack Books.

HAMPDEN-TURNER, Charles & TROMPENAARS, Fons. 1993. The Seven Cultures of Capitalism. London: Piatkus.

HARARI, Yuval Noah. 2011. Sapiens. 2014 Edition. London: Vintage.

HARARI, Yuval Noah. 2015. Homo Deus. London: Vintage.

HARARI, Yuval Noah. 2018. 21 Lessons For The 21st Century. London: Vintage.

HARIMAN, Robert & LUCAITES, John Louis. 2007. No Caption Needed: Iconic Photographs, Public Culture and Liberal Democracy. Chicago: Univ. Chicago Press.

HARIMAN, Robert & LUCAITES, John Louis. 2016. The Public Image: Photography and Civic Spectatorship. Chicago: Univ. Chicago Press.

HARMAN, Graham. 2018. Object-Oriented Ontology. London: Pelican.

HARMAN, Graham. 2018. Speculative Realism. Cambridge: Polity.

HARRIS, James A. 2015. Hume: An Intellectual Biography. Cambridge: Cambridge University Press.

HARVEY, Robert. 2020. Photographing Wiltshire. Hebden Bridge: Fotovue.

HASKINS, Sam. 1964. Cowboy Kate. 1967 Edition. London: Corgi Books.

HASSELBERG, Jan. 2014. The Hidden Treasure of Historic Photographs from Papua New Guinea. Available at: https://www.researchgate.net/publication/273632282_The_Hidden_Treasure_of_Historic_Photographs_from_Papua_New_Guinea_-_in_a_repatriation_perspective (accessed 08/08/2019).

HASSELBERG,  Jan. 2018. The Visual Inheritance: Collections of Historical Photographs from Papua New Guinea. Available at: https://www.tandfonline.com/doi/pdf/10.1080/00223344.2018.1471781 (accessed 08/08/2019).

HATCH, Kevin. 2005. Something Else: Ed Ruscha’s Photographic Books. October 111 (2005): 107–126. https://www.academia.edu/32041634/_Something_Else_Ed_Ruschas_Photographic_Books (accessed 18/6/2018).

HAWORTH-BOOTH, Mark. 1991. The Origins of British Photography. London: Thames & Hudson.

HAWK, David. 1986. Tuol Sleng Extermination Centre. Index on Censorship, January 1986. Available at: https://journals.sagepub.com/doi/10.1080/03064228608534014 (accessed 19/06/2018).

HAYS, Jeffrey, 2008. Before the Khmer Rouge: Rise of the Cambodian Left, US Bombing and the Early Stages of the Civil War. 2014 Revision. Available at: http://factsanddetails.com/southeast-asia/Cambodia/sub5_2b/entry-2848.html#chapter-8 (accessed 04/07/2019.

HAYS, Jeffrey, 2008. Evacuation of Cities other than Phnom Penh after the Khmer Rouge take over Cambodia. 2014 Revision. Available at:http://factsanddetails.com/southeast-asia/Cambodia/sub5_2b/entry-2853.html (accessed 04/07/2019).

HAYS, Jeffrey, 2008. Khmer Rouge Keeps Fighting after it is Ousted.Available at: http://factsanddetails.com/southeast-asia/Cambodia/sub5_2b/entry-2863.html (accessed 04/07/2019).

HAYS, Jeffrey, 2008. Killing, Death Camps and Horror under the Khmer Rouge. 2014 Revision. Available at: http://factsanddetails.com/southeast-asia/Cambodia/sub5_2b/entry-2860.html (accessed 04/07/2019).

HEATH, Dave. 2018. Dialogues with Solitudes. Paris: Le Bal / Steidl.

HEDGES, Nick. 2012. In the Shadows. Shrewsbury: Blurb Books.

HEGEL, George Wilhelm Friedrich. 1886. Introductory Lectures on Aesthetics. 1993, 2004 Edition. Michael Inwood. London: Penguin Classics.

HEIDEGGER, Martin. 1927. Being and Time. 1962 Edition, Macquarrie – Robinson translation. Oxford: Blackwell. Available at http://pdf-objects.com/files/Heidegger-Martin-Being-and-Time-trans.-Macquarrie-Robinson-Blackwell-1962.pdf (accessed 18/09/2019).

HEIDEGGER, Martin. 1953. The Question Concerning Technology and Other Essays. 1977 Edition, W. Lovitt translation. New York: Harper & Row. Also available at https://monoskop.org/images/4/44/Heidegger_Martin_The_Question_Concerning_Technology_and_Other_Essays.pdf (accessed 7/10/2018).

HELP, John. 1996. East is West. Tokyo: Tuttle.

HERBERT, Robert L. (Ed). 2000. Modern Artists on Art. (2nded.). Mineola, NY: Dover.

HERSCHDORFER, Natalie. 2011. Afterwards. London: Thames & Hudson.

HIDO, Todd. 2014. On Landscapes, Interiors and the Nude. New York: Aperture.

HINE, Lewis W. 1977. Men at Work. New York: Dover.

HINTON, Alexander L. 2005. Why did they Kill?Berkeley: University of California Press.

HINTON, Alexander & VENECIANO, Jorge Daniel. 2007. Night of the Khmer Rouge. Paul Robeson Gallery, Rutgers, State University of New Jersey.

HODGSON, Francis. 2012. Quality Matters. Photoboekenmarathon, Huis Marseille, Amsterdam. Available at: https://www.youtube.com/watch?v=3dj3Wq-I7tc (accessed 9/4/2018).

HOFSTEDE, Geert. 1980. Culture’s Consequences. 1984 Edition. London: Sage Publications.

HOFSTEDE, Geert. 1991. Cultures and Organizations. Maidenhead: McGraw Hill.

HOFSTEDE, Geert. 2009. Dimensionalising Cultures: The Hofstede Model. International Association for Cross Cultural Psychology, Unit 2, Subunit 1. Available at https://pdfs.semanticscholar.org/db64/f58d8b341fabda575502f071843dd3895bd6.pdf (accessed 05/06/2019).

HOLBORN, Mark (Ed.) & MORIYAMA, Daido. 2017. Daido Moriyama: Record. New York: Thames & Hudson.

HOLLEIN, Max & WEINHART, Martina. 2011. Edward Kienholz, Retrospektive: Die Zeichen der Zeit – The Signs of the Times. Frankfurt: Schirn Kunstahlle Frankfurt.

HOLLY, Michael Ann. 2013. The Melancholy Art. Princeton: Princeton University Press.

HOMER, Sean. 2005. Jacques Lacan. Abingdon: Routledge.

HONDROS, Chris. 2014. Testament. Brooklyn: Powerhouse Books.

HOPKINSON, Amanda. 2009. Bill Jay, Photographer & Writer. Obituary. Available at: https://www.theguardian.com/artanddesign/2009/aug/05/bill-jay-obituary (accessed: 16/8/2018).

HORKHEIMER, Max & ADORNO, Theodor. 1947. Dialectic of Enlightenment. 1969 Edition.  Editor Gunzelin Schmid Noerr, Translator Edmund Jephcott.  Stanford: Stanford University Press.

HORKHEIMER, Max & ADORNO, Theodor 1947. Dialectic of Enlightenment. Available at: https://monoskop.org/images/2/27/Horkheimer_Max_Adorno_Theodor_W_Dialectic_of_Enlightenment_Philosophical_Fragments.pdf(accessed 20/10/2019).

HUME, David. 1738. A Treatise of Human Nature. Editor L.A. Selby-Bigge, L.A., 1888. 2010 Edition. Oxford: Clarendon Press.

HUME, David. 1777. Enquiries Concerning the Human Understanding and Concerning the Principles of Morals. Ed. Selby-Bigge, L.A., 1893. 1962 Edition. Oxford: Clarendon Press.

HUME, David. 1779. Dialogues concerning Natural Religion and Other Writings.  Editor D. Coleman. Cambridge: Cambridge University Press, 2007.

HUME, David. The Philosophical Works.

HUME, David. 1993. Selected Essays. Editors Copley, Stephen & Edgar, Andrew, 2008 Edition. Oxford: Oxford University Press.

HUND, Wulf D., PICKERING, Michael & RAMAMURTHY, Anandi (Editors). 2013. Colonial Advertising & Commodity Racism. Zurich: Lit Verlag.

HUND, Wulf D. & LENTIN, Alana (Editors). 2014. Racism and Sociology. Zurich: Lit Verlag.

HUND, Wulf D., MILLS, Charles W. & SEBASTIANI, Silvia (Editors). 2015. Simianization – Apes, Gender, Class and Race. Zurich: Lit Verlag.

HURKA, Thomas. 2015. Moore’s Moral Philosophy. The Stanford Encyclopedia of Philosophy (Fall 2015 Edition). Edward N. Zalta (ed.). Available at: https://plato.stanford.edu/archives/fall2015/entries/moore-moral/ (accessed 18/05/2019).

HURN, David, DOGGETT, Peter & NOURMAND, Tony. 2015. The 1960s: Photographed by David Hurn. London: Reel Art Press.

HURN, David & HAVLIN, Laura. 2017. Behind the Image: David Hurn’s Beatlemania. Available at: https://www.magnumphotos.com/theory-and-practice/behind-image-david-hurns-beatlemania/ (accessed 23/09/2018).

INA, Nobuo. 1932. Return to Photography. In Pearson, Mark. 2010. Japanese Photography of the 1930s. Tokyo: Zen Folio Gallery.

ISAACS, Arnold. R. 1983. Without Honor: Defeat in Vietnam and Cambodia. Baltimore: Johns Hopkins Press.

ISMAEL, JT. 2007. The Situated Self. New York. Oxford University Press.

JAAR, Alfredo. 1994-2000. The Rwanda Project. Available at: http://www.alfredojaar.net/main.html (accessed 13/07/2018).

JACKSON, H.J. (Ed.). 1985. Samuel Taylor Coleridge: The Major Works. 2000 edition. Oxford: Oxford University Press.

JACOBI, Carol (Curator) et al. 2019. Van Gogh and Britain. London: Tate Enterprises.

JANSON, H.W & Dora Jane. 1957. The Picture History of Painting. 1963 Concise Edition. London: Thames and Hudson.

JAY, Bill. 1992. Occam’s Razor. Tucson: Nazraeli Press.

JAY, Bill & Hurn, David. 1996. On Being a Photographer. 2008 Edition. Anacortes: Lens Work Publishing.

JAY, Bill & Hurn, David. 1996. On Being a Photographer. Available at: http://www.greenacre.info/Photography/On%20Being%20a%20Photographer.pdf (accessed 2/09/2018).

JAY, Martin. 1993. Downcast Eyes. Oakland: University of California Press.

JEFFREY, Ian. 2008. How to Read a Photograph. London: Thames & Hudson.

JENNINGS, Michael W., EILAND, Howard and SMITH, Gary (Eds.). 2002. Walter Benjamin; Selected Writings, Volume 2: 1931-1934. 2005 Edition. Cambridge: Belknap Press.

JENNINGS, Michael W., EILAND, Howard and SMITH, Gary (Eds.). 2002. Walter Benjamin; Selected Writings, Volume 3: 1935-1938. 2006 edition. Cambridge: Belknap Press. Available at: https://mycourses.aalto.fi/pluginfile.php/378988/mod_resource/content/1/walter-benjamin-selected-writings-volume-3-19351938-1.pdf (accessed 02/02/2019).

JONES, Stacey Holman, ADAMS, Tony E., & ELLIS, Carolyn. 2013. Handbook of Autoethnography. Abingdon: Routledge.

JONES GRIFFITHS, Philip. 1971. Vietnam Inc. 2001 Edition. Paris: Phaidon.

JOHNSON, Gerry, WHITTINGTON, Richard and SCHOLES, Kevan. 1998. Exploring Corporate Strategy. London: Prentice Hall.

JUSSIM, Estelle. 1989. The Eternal Moment: Essays on the Photographic Image. New York: Aperture.

KAIROS. Undated. A Review of Remediation. Available at http://kairos.technorhetoric.net/6.1/reviews/blakesley/glossary.html (accessed 14/10/2018).

KAISER, Philipp, COPPOLA, Sophia & HEYLER, Joanne. 2016. Cindy Sherman: Imitation of Life – The Broad Exhibition. München: Prestel Verlag.

KAKUSO, Okakura. 1906. The Book of Tea. 1979 Edition. Notes by Hiroshi Muraoka. Tokyo: Kenkyusha.

KALIN, Jason. 2013. Remembering with Rephotography: A Social Practice for the Inventions of Memories. Available at: https://www.tandfonline.com/doi/full/10.1080/15551393.2013.820589 (accessed 09/08/2020).

KAMM, Henry. 1998. Cambodia. New York: Arcade.

KANDINSKY, Wassily. 1911. Concerning the Spiritual in Art (Sadler Translation). Online document © 2002 Blackmask Online. Available at: http://www.public-library.uk/ebooks/22/92.pdf (accessed 15/04/18).

KANDINSKY, Wassily. 2014. Concerning the Spiritual in Art (Retranslation by Golffing, Harrison & Ostertag). New York: George Wittenborn Inc.

KANT, Immanuel. 1777. Of the Different Races of Human Beings. Translated. Holly Wilson & Günter Zöller. In Kant: Anthropology, History, and Education. 2007. Edited Günter Zöller & Robert B. Louden. Cambridge: Cambridge University Press.

KANT, Immanuel. 1781. Critique of Pure Reason. Trans. Norman Kemp Smith, 1929, 1968 printing. London: Macmillan & Co.

KANT, Immanuel. 1785. Groundwork for the Metaphysics of Morals. 2002 Edition. New Haven: Yale University Press. Available at: http://www.inp.uw.edu.pl/mdsie/Political_Thought/Kant%20-%20groundwork%20for%20the%20metaphysics%20of%20morals%20with%20essays.pdf (accessed 17/05/2019).

KANT, Immanuel. 1788. Critique of Practical Reason. Trans. Werner S. Pluhar. 2002. Indianapolis: Hackett. Available at: http://www.hziee.edu.cn/uploadfile/2018/0612/20180612586964.pdf (accessed 24/01/2018).

KANT, Immanuel. 1790. The Critique of Judgment. Trans. James Creed Meredith, 1952, 2008 Edition. Oxford: Oxford University Press.

KANT, Immanuel. 1790. The Critique of Judgment (Part I, Critique of Aesthetic Judgment). Oxford: Oxford University Press. Available at: https://monoskop.org/images/7/77/Kant_Immanuel_Critique_of_Judgment_1987.pdf (accessed 24/01/2018).

KARRAS, Tero, AILA, Timo, LAINE, Samuli & LEHTINEN, Jaakko. 2018. Progressive Growing of GANs for Improved Quality, Stability, and Variation. NVIDIA and Aalto University. Available at: http://research.nvidia.com/publication/2017-10_Progressive-Growing-of (accessed 22.6.2018).

KAUFFMAN, Stuart. 1993. The Origins of Order. New York: Oxford University Press.

KAUFFMAN, Stuart. 1995. At Home in the Universe. New York: Oxford University Press.

KAUFFMAN, Stuart. 2000. Investigations. New York: Oxford University Press.

KAUFFMAN, Stuart. 2008. Reinventing the Sacred. New York: Basic Books.

KELLY, M. 1994. Critique and Power:  Recasting the Foucault/Habermas Debate in Studies in Contemporary German Social Thought. Cambridge: MIT Press.

KENNEDY, Liam. 2016. Afterimages: Photography and U.S. Foreign Policy. Chicago: University of Chicago.

KENNY, A. 1968. Descartes: A Study of his Philosophy. New York: Random House.

KENT, Rachel, Dodd, Alexandra and Goldblatt, David. 2019.David Goldblatt: Photographs 1948–2018. Sydney: Museum of Contemporary Art.

KERTÉSZ, André. 2007. André Kertész. Robert Delphire, Series Editor. Photofile. London: Thames & Hudson.

KEROUAC, Jack. 2000 Edition. On the Road. London: Penguin Classics.

KHAMBOLY, Dy. 2007. A History of Democratic Kampuchea (1975-1979). Phnom Penh: Documentation Center of Cambodia.

KIERNAN, Ben. 1996. The Pol Pot Regime. 1999 Edition. Chiang Mai: Silkworm Books.

KIERNAN, Ben & OWEN, Taylor. 2006. Bombs over Cambodia. The Walrus October 2006. Available at: https://gsp.yale.edu/sites/default/files/walrus_cambodiabombing_oct06.pdf (accessed 09/09/2018).

KIERNAN, Ben & OWEN, Taylor. 2007. Bombs over Cambodia: New Light on US Air War. The Asia Pacific Journal, May 2007. Available at: https://apjjf.org/-Ben-Kiernan–Taylor-Owen/2420/article.pdf (accessed 17/08/2019).

KILLIP, Chris. 1988. In Flagrante Two. 2nd Edition 2015. Göttingen: Steidl.

KLEIN, William. 1995 Edition. New York. Stockport: Dewi Lewis Publishing.

KLEINGELD, Pauline. 2007. Kant’s Second Thoughts on Race. The Philosophical Quarterly Vol 57, No 229. Available at: https://openaccess.leidenuniv.nl/bitstream/handle/1887/13887/Kant%20on%20race%20PQ%20Kleingeld.pdf? (accessed 20/10/2019).

KOMOSINSKI, Maciej & ADAMATZKY, Andrew (Eds.). 2009. Artificial Life Models in Software. Heidelberg: Springer.

KRACAUER, Siegfried.1927. Photography. Thomas Levin, Critical Inquiry, Vol. 19, No. 3 (Spring, 1993), pp. 421-436. Available at: https://platypus1917.org/wp-content/uploads/2011/09/kracauer_photography1927.pdf (accessed 11/02/2019).

KRACAUER, Siegfried. 1960. Theory of Film: Redemption of Physical Reality. Princeton: Princeton University Press.

KRISHER, Bernie.1990. Sihanouk Reminisces. Phnom Penh: Duang Kamol.

KROPOTKIN, Peter. 1902. Mutual Aid: A Factor of Evolution. South Carolina: CreateSpace.

KUBOTA, Hiroji. 2015. Hiroji Kubota Photographer. New York: Aperture.

LA GRANGE, Ashley. 2005. Basic Critical Theory for Photographers. Oxford: Elsevier.

LACAN, Jacques. 1978. Four Fundamental Concepts in Psychoanalysis, ed. Jacques-Alain Miller and trans Alan Sheridan. New York:  Norton.

LACOSTE, Michel Conil. 1979. Kandinsky. Bergamo: Bonfini.

LAJA, Michael. 2000. Pierce, Visuality and Art. University of California Press. Representations, No. 72 (Autumn, 2000), pp. 97-122. Available at: https://www.jstor.org/stable/pdf/2902910.pdf?refreqid=excelsior%3A7ac3e02cacce75badaa5506fb0b826fb (accessed 08/02/2019).

LANE, Richard J. 2000. Jean Baudrillard. 2009 Edition. Abingdon: Routledge.

LANGE, Dorothea. 1980. Farm Security Administration Photographs, 1935–1939. Glencoe, Illinois: Text-Fiche Press.

LANGE, Dorothea. 1989. The Assignment I’ll Never Forget: Migrant Mother in Popular Photography, February 1960; from James Curtis. 2007. Mind’s Eye, Mind’s Truth: FSA Photography Reconsidered. London: Temple University Press.

LANGE, Dorothea. 2018. Politics of Seeing.London / Paris: Barbican / Jeu De Paume.

LANGE, Dorothea. 2005. Migrant Mother, 1936. Available at http://www.eyewitnesstohistory.com/migrantmother.htm (accessed 9/12/2018).

LAO TSU. 4thCentury BC. Tao Te Ching. 1972 Edition, Gia-Fu Feng & Jane English, translators. New York: Random House.

LATHAM, Jack. 2016. Sugar Paper Theories. 2019 2nd Edition. London: Here Press.

LAURENT, Olivier. 2017. Time Magazine. Why We Do It: Photographers and Photo Editors on the Passion That Drives Their Work. Available at: http://time.com/4839246/photographers-passion/ (accessed 22/09/218).

LEDERMAN, Russet. 2012. Provoke: Takuma Nakahira and Yutaka Takanashi. Available at: https://monstersandmadonnas.blog/2012/08/24/provoke/ (accessed 19/01/2019).

LEE, Sarah & BARTON, Laura. 2019. West of West. London: Unbound.

LEIBOVITZ, Annie. 2006. A Photographer’s Life 1990-2005. New York: Random House Trade.

LEIBOVITZ, Annie. 2017. Portraits 2005-2016. London: Phaidon.

LEITER, Saul. 2008. Saul Leiter. Robert Delphire, Series Editor. Photofile. London: Thames & Hudson.

LENNON, J. and FOLEY, M. 2000. Dark Tourism: The Attraction of Death and Disaster. London: Continuum.

LESTER, Paul Martin & ELLIOTT, Deni. 2002. Visual Communication and an Ethic for Images. Available at: http://paulmartinlester.info/writings/imageethic.html (accessed 20/05/2019).

LESTER, Paul Martin. 2018. Visual Ethics. New York: Routledge.

LEVI STRAUSS, David. 2003. Between the Eyes. New York: Aperture.

LEVIN, Mikael. 1996. Suche. Frankfurt: Fritz Bauer Instituts.

LI, CHENYANG. 2006. The Confucian Ideal of Harmony. Philosophy East and West, Vol. 56, No. 4 (October 2006). Available at: https://www.jstor.org/stable/pdf/4488054.pdf (accessed 21/05/2019).

LI, Mohan. 2015. Tourist Photography and the Tourist Gaze: An Empirical Study of Chinese Tourist in the UK. Available at: http://clok.uclan.ac.uk/12879/2/Li%20Mohan%20Final%20e-Thesis%20(Master%20Copy).pdf (accessed 05/07/2020).

LINFIELD, Susie. 2010. The Cruel Radiance: Photography and Political Violence. Chicago: University of Chicago Press.

LINFIELD, Susie. 2014. Advertisements for Death. New York Times. Available at: https://www.nytimes.com/2014/01/28/opinion/advertisements-for-death.html?_r=1 (accessed 27/03/2018)

LINKE, Uli & SMITH, Taana. 2009. Cultures of Fear: A Critical Reader. New York: Pluto Books.

LISTER, Martin (Ed.). 2013. The Photographic Image in Digital Culture. 2ndEdition. London: Routledge.

LISTER, P.M. 2012. Visual Analysis in Visual Communication: Images with Messages. Paul Lister website.Available at: http://paulmartinlester.info/visual_analysis.pdf.(accessed 26/3/2018).

LIVERANI, Alex. 2018. Dango. Brentford: Crowdbooks.

LIXENBERG, Dana. 2015. Imperial Courts 1993-2015. Amsterdam: Roma Books.

LOBO, Susan, TALBOT, Steve & MORRIS, Traci L. 2010. Native Representations, from Native American Voices Reader. New Jersey: Prentice Hall. Available at: https://catalogue.pearsoned.ca/assets/hip/us/hip_us_pearsonhighered/samplechapter/0205633943.pdf (accessed 08/08/2019).

LOCARD, Henri. 2004. Pol Pot’s Little Red Book: The Sayings of Angkar. Chiang Mai: Silkworm Books.

LYNCH, Janelle. 2018. Another Way of Looking at Love. Santa Fe: Radius Books.

MAILER, Norman. 1973. Marilyn. London: Hodder & Stoughton.

MAK, Remissa. 2014. Left 3 Days. Available at: https://www.asiamotion.net/photo-stories/remissa-mak/left-3-days (accessed 10/03/2019).

MAKARA, Ouch. 2019. Breaking the Silence. Phnom Penh: DC-Cam.

MALPAS, Simon. 2002. Jean-Francois Lyotard. Abingdon: Routledge.

MANN, Sally. 2015. Sally Mann’s Exposure. New York: New York Times Magazine. Available at:  https://www.nytimes.com/2015/04/19/magazine/the-cost-of-sally-manns-exposure.html?_r=1 (accessed 9.4.2018).

MANN, Sally. 2015. Hold Still: A Memoir with Photographs. New York: Bay Books.

MAO, Tse-Tung (Zedong). 1966.  Quotations from Chairman Mao Tse-Tung. First Edition. Peking: Foreign Languages Press.

MAPPLETHORPE, Robert. 1996. Pistils. New York: Random House.

MARIAN, David. 2002. The Correspondence Theory of Truth. The Stanford Encyclopedia of Philosophy (Fall 2016 Edition), Edward N. Zalta (ed.). Available at: https://plato.stanford.edu/archives/fall2016/entries/truth-correspondence/ (accessed 23/05/2019).

MARIEN, Mary Warner. 2014. Photography: A Cultural History. 4thEdition. London: Laurence King Publishing.

MARK, Mary Ellen. 2015. On the Portrait and the Moment.New York: Aperture.

MARTIN, James R. 2014. The Difference between Documentary and Propaganda. Available at https://www.jrmartinmedia.com/the-difference-between-documentary-and-propaganda/ (accessed 19/12/2018).

MARTIN, James R. 2018 (iBook Edition). Documentary Directing and Storytelling. Real Deal Press.

MAYNE, Jonathan, 1955. Charles Baudelaire, The Mirror of Art. London: Phaidon Press.

MCCULLIN, Don. 1994. Sleeping with Ghosts: A Life’s Work in Photography. London: Jonathan Cape.

MCCULLIN, Don. 2008. Don McCullin. Robert Delphire, Series Editor. Photofile. London: Thames & Hudson.

MCCULLIN, Don. 2015. Unreasonable Behaviour. London: Jonathan Cape.

MCCURRY, Steve. 2013. Untold: The Stories Behind the Photographs. London: Phaidon.

MCLUHAN, Marshall. 1964. Understanding Media. 2001 Edition. London: Routledge Classics.

MCLUHAN, Marshall & FIORE, Quentin, coordinated by AGEL, Jerome. 1967. The Medium is the Massage: An Inventory of Effects. 2008 Edition. London: Penguin Classics.

MEADOWS, Daniel. 2019. Now and Then England 1970-2015. Oxford: Bodleian Library.

MEHTA, Harish & Julie.1999. Hun Sen: Strongman of Cambodia. Singapore: Graham Brash.

MEHREZ, Aïcha (Ed.). 2019. Don McCullin. London: Tate Enterprises.

MEISELAS, Susan. 1981. Nicaragua: June 1978 – July 1979. 2nd Edition, 2016. New York: Aperture.

MEISELAS, Susan. 1997. Kurdistan: In the Shadow of History. Chicago: University of Chicago Press.

MEISELAS, Susan. 2018. Mediations. Bologna: Damiani.

MEISTER, Sarah Hermanson. 2018. Dorothea Lange: Migrant Mother. New York: MoMA.

MEREWETHER, Charles. 2006. The Archive. Documents of Contemporary Art. London: Whitechapel Gallery.

MERRIN, William. 2003. Did You Ever Eat Tasty Wheat? – Baudrillard and The Matrix. University of Nottingham. Available at: https://www.nottingham.ac.uk/scope/documents/2003/may-2003/merrin.pdf (accessed 23/05/2019).

MEUNIER, Constantin. 2005. A Dialogue with Allan Sekula. Leuven: Leuven University Press.

MEYEROWITZ, Joel. 2006. Aftermath: World Trade Center Archive. New York: Phaidon.

MEYEROWITZ, Joel. 2018. Where I find Myself: A Lifetime Retrospective. London: Laurence King.

MICHALS, Duane. 2008. Duane Michals. Robert Delphire, Series Editor. Photofile. London: Thames & Hudson.

MILEAF, Jean (Forward). 2013. Ghost Paintings: David Salle in Conversation with Hal Foster. Chicago: Arts Club of Chicago.

MILES, Melissa. 2019. Photography, Truth and Reconciliation. London: Bloomsbury.

MILL, John Stuart. 1991. On Liberty, Utilitarianism and Other Essays. 2015 Edition. Oxford: Oxford University Press.

MILLER, Wayne. 2000. Chicago’s South Side 1946 -1948. Berkeley: University of California Press.

MILLS, Charles W. Black Rights / White Wrongs. New York: Oxford University Press.

MILLS, Sarah. 2003. Michel Foucault. Abingdon: Routledge.

MITCHELL, W.J.T. 1986. Iconology – Image Text Ideology. Chicago: University of Chicago Press. Available at: https://monoskop.org/File:Mitchell_WJT_Iconology_Image_Text_Ideology.pdf (accessed 11/02/2019).

MITCHELL, W.J.T. 1994. Landscape and Power. Chicago: University of Chicago Press.

MITCHELL, W.J.T. 2005. What do Pictures Want? The Lives and Loves of Images. Chicago: University of Chicago Press.

MIYAKO, Ishiuchi. 2015. Postwar Shadows. Editor Amanda Maddox. Los Angeles: Getty Publications.

MIZERSKI, Jim. 2017. Elephant Train: Phnom Penh to Bangkok in 1871. Phnom Penh: Jasmine Image Machine.

MIZERSKI, Jim. 2016. Cambodia Captured: Angkor’s First Photographers in 1860s Colonial Intrigues. Phnom Penh: Jasmin Image Machine.

MOIRENC, Camille & PUECH, Véronique. 2019. Rhône – Un Fleuve. Arles: Actes Sud / CNR.

MONTAGUE, Joel G. 2011. Picture Postcards of Cambodia, 1900-1950. Bangkok: White Lotus

MONTAGUE, Joel, ARNAULD, Marie-Hélène & MIZERSKI, Jim. 2016. Cambodia Past: Explaining the Present. Bangkok: Datasia.

MOORE, G.E. 1912. Ethics. 2nd Edition 1966. Oxford: Oxford University Press.

MOORE, Harold G. & GALLOWAY, Joseph L. 1992. We were Soldiers Once … and Young. New York: Random House.

MOORHOUSE, Paul. 2019. Cindy Sherman. London: National Portrait Gallery.

MORAWSKI, Stefan. 1970. The Aesthetic Views of Marx and Engels.The Journal of Aesthetics and Art Criticism, Spring 1970. Available at: https://www.jstor.org/stable/429497?seq=1#metadata_info_tab_contents (accessed 30/03/2019).

MORIYAMA, Daido. 1972. Farewell Photography. 2019 Edition. Limited edition 551 / 1000. Tokyo: Bookshop M, Getsuyosha.

MORIYAMA, Daido. 2010. The World Through My Eyes. Milan: Skira.

MORIYAMA, Daido. 2010. Memories of a Dog. Arizona: Nazraeli Press.

MORIYAMA, Daido. 2016. Daido Tokyo. New York: Thames & Hudson.

MORIYAMA, Daido. 2016. Record 32: Kobe. Tokyo: Akio Nagasawa.

MORIYAMA, Daido. 2017. Record. London: Thames & Hudson.

MORIYAMA, Daido & NAKAMATO, Takeshi. 2010. How I Take Photographs. 2019 Edition. London: Laurence King.

MORLEY, Simon. 2010. The Sublime. Documents of Contemporary Art. London: Whitechapel Gallery.

MOSSE, Richard. 2012. Infra. Available at http://www.richardmosse.com/projects/infra (accessed 12/11/2018).

MOSTANFANEZAD, Mary. 2013.The Politics of Aesthetics in Volunteer Tourism. Annals of Tourism Research, volume 43, October 2013. Available at: https://www.sciencedirect.com/science/article/pii/S0160738313000686 (accessed 01/05/2019).

MUSASHI, Miyamoto. 1645. A Book of Five Rings. Trans. Victor Harris 1974. First edition, 24th printing. New York: Overlook Press.

MUSASHI, Miyamoto. 1645. A Book of Five Rings. Trans. Victor Harris 1974. Edition 1983. London: Allison & Busby.

MUSASHI, Miyamoto. 1645. The Book of Five Rings. Trans. Bradford J. Brown, Yuko Kashiwagi, William H. Barrett & Eisuke Sasagawa. 1982 edition. New York: Bantam Books.

MUSASHI, Miyamoto. 1645. The Book of Five Rings. Thomas Cleary, 1993. Boston: Shambhala.

MUSASHI, Miyamoto. 1645. The Martial Artist’s Book of Five Rings. Steve Kaufman, 1994. Vermont: Charles Tuttle.

NACHTWEY, James. 2017. Memoria. Roma: Contrasto.

NAIR, P.2011. A Different Light –The Photography of Sebastião Salgado. Durham NC: Duke University Press.

NAKAHIRA, Takuma. 1970. For a Language to Come. 2010 Edition. Tokyo: Osiris.

NAKAHIRA, Takuma. 2018. Overflow. Tokyo: Hiroshi Onishi / Case.

NATIONAL PROFESSIONAL PHOTOGRAPHERS ASSOCIATION. Undated. Code Of Ethics. Available at: https://nppa.org/code-ethics (accessed 18/08/2029).

NEVEU, Roland. 2007. The Fall of Phnom Penh. 2015 Edition. Bangkok: Asia Horizons.

NEWHALL, Beaumont. 1937. The History of Photography. 2009 5th Edition. New York: MoMA.

NEWTON, Helmut. 1989. Helmut Newton. 2006 Edition. Robert Delphire, Series Editor. Photofile. London: Thames & Hudson.

NHEM, En, & DARA, Duong. 2014. The Khmer Rouge’s Photographer at S21. Phnom Penh: Nhem En.

NICOL, Liz & HUTCHINSON, Jane. 2019. Keep your Kodak busy: Monuments of the Great War. Available at: https://www.tandfonline.com/doi/full/10.1080/13576275.2019.1682982 (accessed 09/08/2020).

NISHII, Kazuo. 2001. Daido Moriyama. London: Phaidon Press.

NISSANI, Moti. 1997. Ten Cheers for Interdisciplinarity: The Case for Interdisciplinary Knowledge and Research in The Social Science Journal, Volume 34, Number 2, pages 201-216. Copyright © 1997 by JAI Press Inc.

NO, Minfong.1991. The Clay Marble. London: Farrer Straus Giroux.

NOONAN, Patrick. 2017. Whither Politics? Photography and Protest in the “Provoke Era”. Available at https://modernismmodernity.org/forums/posts/whither-politics (accessed 21/01/2109).

NORBERG-SCHULZ, Christian. 1971. Existence, Space and Architecture. New York: Praeger.

NORFOLK, Simon & IGNATIEFF, Michael. 1998. For Most Of It I Have No Words. Stockport: Dewi Lewis.

O’CONNOR, Brian. 2013. Adorno. Abingdon: Routledge.

OLDFIELD, Pippa. 2019. Photography and War. Exposures. London: Reaktion Books.

OLIN, Margaret.1996. Gazein Critical Theories for Art History. Editors Robert Nelson and Richard Shiff. Chicago: University of Chicago Press.

OLUSOGA, David. Black and British: A Forgotten History. London: Pan.

ONO LENNON, Yoko. 2018. Imagine. London: Thames & Hudson.

OSBORNE, Milton. 1994. Sihanouk. Chiang Mai: Silkworm.

OSTERWOLD, Tilman. 1990. Pop Art. 2013 Edition. Köln: Taschen.

PALMER, Daniel. 2013. A Collaborative Turn in Contemporary Photography? Photographies, 6.1, 117-125. Available at: https://www.tandfonline.com/doi/abs/10.1080/17540763.2013.788843?journalCode=rpho20 (accessed 26/03/2018).

PALMER, Daniel. 2017. Photography & Collaboration. London: Bloomsbury Academic.

PANH, Rithy & BATAILLE, Christophe. 2011. L’elimination (Literature & Documents). 2013 Edition. Paris: Editions Grasset.

PAPADEMAS, Diana & the International Visual Sociology Association. 2009. IVSA Code of Research Ethics and Guidelines. Visual Studies, 24:3, 250-257. Available at: https://www.tandfonline.com/doi/pdf/10.1080/14725860903309187 (accessed 18/08/2019).

PARDO, Alona & PARR, Martin. 2016. Strange and Familiar. Barbican. London: Prestel.

PARIS PHOTO. 2018. Catalogue.Paris: Paris Photo.

PARR, Martin & BADGER, Gerry. 2004. The Photobook: A History Volume I. London: Phaidon Press.

PARR, Martin & BADGER, Gerry. 2006. The Photobook: A History Volume II. London: Phaidon Press.

PARR, Martin & BADGER, Gerry. 2014. The Photobook: A History Volume III. London: Phaidon Press.

PARR, Martin. 2019. Only Human. London: Phaidon Press.

PARRY, Richard. 2014. Ancient Ethical Theory. The Stanford Encyclopedia of Philosophy. Edward N. Zalta (Ed.). 2014 Available at: https://plato.stanford.edu/archives/fall2014/entries/ethics-ancient/ (accessed 26/3/2018).

PARSONS, Sarah. 2009. Sontag’s Lament. Photography & Culture Volume 2, Issue 3, November 2009. Available at: http://www.torontophotographyseminar.org/sites/default/files/uploads/ParsonsSontagsLament2009.pdf (accessed 23/02/2019).

PASCALE, Richard and MILLER, Anne. 1998. Act Your Way into a New Way of Thinking: Leader to Leader, vol. 1998, no. 9, pp. 36-43. Available at: https://onlinelibrary.wiley.com/doi/pdf/10.1002/ltl.40619980910 (accessed 10/02/2019).

PEARSON, Keith Ansell & Ó MAOILEARCA, John. 2002. Henri Bergson Key Writings. London: Bloomsbury.

PEARSON, Mark. 2010. Japanese Photography of the 1930s. Tokyo: Zen Folio Gallery.

PEIRCE, Charles Sanders. 1868. On a New List of Categories.  Proceedings of the American Academy of Arts and Sciences 7 (1868), 287-298. Available at: http://www.peirce.org/writings/p32.html (accessed 08/02/2019).

PELIZZARI, Maria Antonella. 2003. Traces of India. Montreal: Canadian Centre for Architecture / Yale Centre for British Art.

PENROSE, Anthony. 2005. Lee Miller’s War: Beyond D-Day. 2014 Edition. London: Thames & Hudson.

PERESS, Gilles & STOVER, Eric. 1998. The Graves – Srebrenica and Vukovar. Zurich: Scalo.

PERESS, Gilles. 2004. Haines. Paris: Photo Poche Histoire.

PESCHOUX, Christophe. 1995. Les ‘Nouveaux’ Khmers Rouge: 1979-1990. Verneuil Sur Avre: L’Harmattan.

PETER, Richard. 1949. Dresden: eine Kamera klagt an. Dresdner Verlags: Dresden.

PHALA, Chea & DEARING, Chris. 2009. A Teacher’s Guidebook: A History of Democratic Kampuchea (1975-1979). Phnom Penh: Documentation Center of Cambodia.

PHOTOGRAPHERS WITHOUT BORDERS. Undated. Code of Ethics. Available at: https://www.photographerswithoutborders.org/code-of-ethics (accessed 19/08/2019).

PINCKERS, Max. 2017. Red Ink. Ghent: Max Pinckers.

PINCKERS, Max. 2017. Margins of Excess. Ghent: Max Pinckers.

PINNEY, Christopher & PETERSON, Nicolas. 2003. Photography’s Other Histories. Durham: Duke University Press.

PINNEY, Christopher. 2011. Photography and Anthropology. London: Reaktion Books.

PLAISANCE, Skewes & HANITZSCH. 2012. Ethical Orientations of Journalists Around the Globe – Implications From a Cross-National Survey. Communications Research 39. Available at: https://pdfs.semanticscholar.org/e4d9/b704115bb93324eb06aa92af4ceb498938f8.pdf (accessed 07/06/2019).

PLATO. 1993. The Republic. Robin Waterfield. Oxford: Oxford University Press.

PLOKHY, Serhii. 2019. Chernobyl: History of a Tragedy. London: Penguin Allen Lane

PONCHAUD, François. 1977. Cambodia: Year Zero.Paris: Henry Holt.

POWER, Kevin. 1989. David Salle: Seeing it My Way. Munich: Staatsgalerie Moderner Kunst.

PRICE, Sir Uvedale. 1796. An Essay on the Picturesque: As Compared with the Sublime and the Beautiful. London: Robson.

PRINS, Annemarie. 2009. Breaking the Silence: A New Cambodian Play. Available at http://d.dccam.org/Projects/Radio/pdf/DCCAM_BREAKING_THE_SILENCE_%20FINAL.pdf (accessed 29/12/2018)

PRITCHARD, Lisa. 2011. Setting Up a Successful Photography Business. London: Bloomsbury.

PRITCHARD, Lisa. 2017. Running a Successful Photography Business. London: Bloomsbury.

PROTHERO, Antony. 2019. Ipseity. 50/100. London: Opal.

PRUMSODUN, OK. 2018. The Serpent’s Tail: A Brief History of Khmer Classical Dance. Self-published. Available at: https://www.serpentstail.info (accessed 20/05/2019).

RAI, J.S., THORHEIM C., DORIDEREM, A., & MACER, D. 2010. Universalism and Ethical Values for the Environment. UNESCO, Regional Unit for Social and Human Sciences in Asia and the Pacific. Bangkok: UNESCO. Available at: https://philpapers.org/archive/RAIUAE.pdf (accessed 25/05/2019).

RANCIÈRE, Jacques. 1987. The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation. Translated by. K. Ross, 1991. Stanford: Stanford University Press.

RANCIÈRE, Jacques. 2000. The Politics of Aesthetics. Rockhill, Gabriel Editor. 2013 Edition. London: Bloomsbury.

RANCIÈRE, Jacques. 2010. Dissensus: On Politics and Aesthetics.  London: Continuum Books. Available at: http://artsites.ucsc.edu/sdaniel/230/Ranciere%20-%20Dissensus%20-%20On%20Politics%20and%20Aesthetics.pdf (accessed 09/09/2019).

RAPHAEL, Michael W. 2018. The politics of twilights: notes on the semiotics of horizon photography. Visual Studies, 33:4, 295-312. Available at: https://www.tandfonline.com/doi/pdf/10.1080/1472586X.2019.1590157?needAccess=true (accessed 27/05/2019).

RAY, Gene. 2004. Reading the Lisbon Earthquake: Adorno, Lyotard, and the Contemporary Sublime. The Yale Journal of Criticism. Available at: https://www.academia.edu/30438731/Reading_the_Lisbon_Earthquake_Adorno_Lyotard_and_the_Contemporary_Sublime (accessed 08/06/2019).

RAY, Gene. 2005. Terror and the Sublime in Art and Critical Theory: From Auschwitz to Hiroshima to September 11. New York: Palgrave Macmillan.

RAWSON, P. 1967. Art of Southeast Asia. London: Thames & Hudson.

RAY, Gene. 2004. Reading the Lisbon Earthquake: Adorno, Lyotard, and the Contemporary Sublime. The Yale Journal of Criticism. Available at: https://www.academia.edu/30438731/Reading_the_Lisbon_Earthquake_Adorno_Lyotard_and_the_Contemporary_Sublime (accessed 08/06/2019).

RAY, Gene. 2005. Terror and the Sublime in Art and Critical Theory: From Auschwitz to Hiroshima to September 11. New York: Palgrave Macmillan.

REGAN, Eli. 2017. What is Socially Engaged Photographic Practice? Available at: https://corridor8.co.uk/article/socially-engaged-photographic-practice/ (accessed 23/08/2019).

RELPH, Edward. 1976. Place and Placelessness. 2008 Edition. London: Sage.

RESPINI, Eva. 2012. Will the Real Cindy Sherman Please Stand Up? MoMA Exhibition. Available at https://www.moma.org/momaorg/shared/pdfs/docs/learn/courses/Respini_Will_the_Real_Cindy_Sherman_Please_Stand_Up.pdf (accessed 14/01/2016).

RICHARDS, Eugene. 2017. The Run-On of Time. Kansas City: The Nelson-Atkins Museum of Art.

RILEY, Chris & NIVEN, Douglas. 1996. The Killing Fields. Santa Fe: Twin Palms Publishers.

RISTELHUEBER, Sophie and BRUTVAN, Cheryl. 2001. Details of the World. Boston: Museum of Fine Arts.

RISTELHUEBER, Sophie, MAYER, Marc & LADD, Jeffrey. 2009. Sophie Ristelhueber: Fait (Books on Books). New York: Errata.

RITCHIN, Fred. 2009. After Photography. New York: Norton.

RITCHIN, Fred. 2013. Bending the Frame. New York: Aperture.

ROBERTS, Daniel W. 2001. Political transition in Cambodia, 1991-1999. London: Curzon.

ROBERTS, Pam. 2013. Stieglitz: Camera Work. Köln: Taschen.

ROBINSON, Andrew. 2011. An A to Z of Theory: Roland Barthes and Semiotics. Available at: https://ceasefiremagazine.co.uk/in-theory-barthes-1/ (accessed 04/02/2019).

RODGER, George, & BERNARD, Bruce. 1994. The Photographic Journey of Georg Rodger. London: Phaidon Press.

RODRIGUEZ, José. 1936. Conversation with a Legend (Arnold Schoenberg).Available at: https://www.schoenberg.at/index.php/en/jose-rodriguez-interview-with-a-legend (accessed 08/06/2019).

ROSE, Ashley. 2018. Moderator’s Golf Tournament, Royal Dornoch. Blurb

ROSE, Ashley. 2018. 19 Sutherland Bridges. Blurb.

ROSE, Margaret. 1984. Marx’s Lost Aesthetic. Cambridge: Cambridge University Press. Available at: https://monoskop.org/images/e/ed/Rose_Margaret_Marxs_Lost_Aesthetic.pdf (accessed 30/09/2019)

ROSLER, Martha. 2004. Decoys and Disruptions. Cambridge, Massachusetts: MIT Press.

ROSS, David. 1939. Foundations of Ethics: The Gifford Lectures. Oxford: Oxford University Press.

ROYAL PHOTOGRAPHIC SOCIETY. Undated. The Nature Photographer’s Code Of Practice. Available at: https://rps.org/media/1xcnsuga/the-nature-photographers-code-of-practice.pdf (accessed 29/02/2020).

ROYLE, Nicholas. 2003. Jacques Derrida. Abingdon: Routledge.

RUSCHA, Ed. 1963. Twenty-Six Gasoline Stations. National Excelsior Press.

RUSSELL, Bertrand., 1907. On the Nature of Truth. Proceedings of the Aristotelian Society, 7: 228–49. Available at: https://www.jstor.org/stable/pdf/4543744.pdf (accessed 23/05/2019).

RUSSELL, Bertrand. 1956. Logic and Knowledge. 1966 Edition, Robert C. Marsh (Editor). London: George Allen & Unwin.

RYAN, Bob. 2016. The Master Photographer. 2017 Edition. Malmesbury: Bourchier Books.

RYAN, James. 2013. Photography and Exploration. Exposures. London: Reaktion Books.

RYLE, Gilbert. 1949. The Concept of Mind. 1980 reprint. Harmondsworth: Penguin.

SALGADO, Sebastião. 2013. Genesis. Cologne: Taschen.

SALLE, David. 2018. Website. Available at: http://www.davidsallestudio.net (accessed 16.10.2018).

SAMAN, Moises. 2016. Discordia. Treviso: Grafiche Antiga.

SANDFORD, S. 2018. Kant Race & Natural History. Available at: https://eprints.kingston.ac.uk/40732/6/Sandford-S-40732-AAM.pdf(accessed 05/08/2020).

SANTAYANA, George. 1896. The Sense of Beauty. 1955 Edition. New York: Dover.

SANTAYANA, George. 1905-1906. The Life of Reason, or The Five Phases of Human Progress. 2018 Edition. Pantianos Classics.

SARTRE, Jean-Paul. 1940. L’Imaginaire: Psychologie phénoménologique de l’imagination. English Edition. London: Routledge.

SCHANBERG, Sydney & DITH, Pran. 1984. The Killing Fields: The Facts Behind the Film. London: Weidenfeld.

SCHANBERG, Sydney. 2010. Beyond the Killing Fields. Dulles: Potomac Books.

SCHERMAN, David. 1973. The Best of LIFE. New York: Time Life Books.

SCHOENBERG, Arnold. 1950. Style and Idea. New York: Philosophical Library. Available at: https://monoskop.org/images/8/84/Schoenberg_Arnold_Style_and_Idea.pdf (accessed 08/06/2019).

SCHOFIELD, Tom, DÖRK, Marian and DADE-ROBERSTON, Martyn. Indexicality and Visualization: Exploring Analogies with Art, Cinema and Photography. Available at https://mariandoerk.de/papers/cc2013.pdf (accessed 08/02/2019).

SCHWAGER, Christian. 2007. My Lovely Bosnia. Zürich: Edition Patrick Frey.

SCHWARBERG, Günther. 2001. In the Ghetto of Warsaw. Göttingen: Steidl.

SCHWARTZ, Stephanie. 2016. Anti-Photojournalism: Working Against the Grain. In Stephanie Schwartz (ed.), In Focus: Waiting for Tear Gas 1999–2000 by Allan Sekula, Tate Research Publication, 2016. Available at: https://www.tate.org.uk/research/publications/in-focus/waiting-for-tear-gas-allan-sekula/anti-photojournalism (accessed 14/08/2019).

SCHWARTZ, Stephanie. 2016. Waiting: Loops in Time. In Stephanie Schwartz (ed.), In Focus: Waiting for Tear Gas 1999–2000 by Allan Sekula, Tate Research Publication, 2016. Available at: https://www.tate.org.uk/research/publications/in-focus/waiting-for-tear-gas-allan-sekula/loops-in-time (accessed 14/08/2019).

SCHWENDENER, Martha. 2016. The Photographic Universe: Vilém Flusser’s Theories of Photography, Media, and Digital Culture. PhD. Available at: https://academicworks.cuny.edu/cgi/viewcontent.cgi?article=1707&context=gc_etds (accessed 20/07/2020).

SCRUTON, Roger. 1981. Photography and Representation. From Critical Inquiry, Vol 7, No 3 (Spring 1981). Chicago: University of Chicago Press. Available at: https://pdfs.semanticscholar.org/7cb1/ddbb50d4120061e4e3f136c60d6d1cc18588.pdf (accessed 25/01/2019).

SEALY, Mark. 2019. Decolonising the Camera. London: Lawrence & Wishart.

SEAWRIGHT, Paul & DARKE, Colin. 2013. Discussion at Golden Thread Gallery, Belfast. In TUCK, Sarah. 2015. After the Agreement: Contemporary Photography in Northern Ireland. Pg. 146. Available at: https://cris.brighton.ac.uk/ws/portalfiles/portal/4755087/After+the+Agreement+-+Contemporary+Photography+in+Northern+Ireland+-+Sarah+Tuck.pdf (accessed 30/03/2019).

SEKULA, Allan. 1975. On the Invention of Photographic Meaning. Artforum, 13:5, January 1975: 36-45. Reprinted in Victor Burgin, (Ed.). 1982., Thinking Photography. London: Macmillan. Available at: https://monoskop.org/images/0/0d/Sekula_Allan_1975_1981_On_the_Invention_of_Photographic_Meaning.pdf (accessed 22/04/2019).

SEKULA, Allan. 1978. Dismantling Modernism, Reinventing Documentary (Notes on the Politics of Representation). The Massachusetts Review, Vol. 19, No. 4, Photography (Winter, 1978), pp. 859-883. Available at: https://www.jstor.org/stable/25088914 (accessed 22/04/2019).

SEKULA, Allan. 1981. The Traffic in Photographs.  Art Journal, Vol. 41, No. 1, Photography and the Scholar/Critic (Spring, 1981), pp. 15-25. Available at: https://www.jstor.org/stable/pdf/776511.pdf?ab_segments=0%252Fdefault-2%252Fcontrol&refreqid=excelsior%3A55ce5b4a7a2cba929e7a867c2dca8f4b (accessed 22/04/2019).

SEKULA, Allan, 1995. Fish Story. 2018 Edition. London: Mack.

SEKULA, Allan. 1995. Fish Story. Witte de With, Centre for Contemporary Art, Rotterdam. Available at: https://fadingtheaesthetic.files.wordpress.com/2013/08/fish_story.pdf (accessed 16/03/2018).

SEKULA, Allan & RISBERG, Debra. 1999. Dismal Science: Photoworks 1972-1996. Normal: University Galleries of Illinois.

SEKULA, Allan. 2016. Photography Against the Grain: Essays and Photo Works, 1973-1983. London: Mack.

SELIGMAN, Charles. 1910. The Melanesians of British New Guinea. Cambridge: Cambridge University Press. Available at: https://archive.org/details/melanesiansofbri00seli/page/n8/mode/2up (accessed 08/08/2019).

SETTER, Ronald (Ed.). 1966. The Traveller’s Book of Colour Photography. London: Hamlyn.

SHARP, Bruce. c. 2005. Counting Hell. From Cambodia – Beauty and Darkness. Available at: http://www.mekong.net/cambodia/deaths.htm (accessed 18/04/2018).

SHARPLEY, Richard and STONE, Philip R. (Eds.). 2009. The Darker Side of Travel.Bristol: Channel View Publications.

SHARROCK, Peter D. 2017. Leang Seckon: When Head and Body Unite. Rossi Rossi catalogue. Available at: http://rossirossi.com/wp-content/uploads/2017/09/ROSSI_ROSSI_-LEANG_SECKON_CATALOGUE_V13.pdf (accessed 01/05/2019).

SHAW, Patricia. 2002. Changing Conversations in Organizations. London: Routledge.

SHAWCROSS, William.1994. Cambodia’s New Deal. Washington: Brookings Institute.

SHEFF, David. 1983. Ansel Adams Playboy Interview. Available at: https://www.playboy.com/read/playboy-interview-ansel-adams (accessed 23/02/2019).

SHEIKH, Fazal. 2007. Ladli. Göttingen: Steidl.

SHENON, Philip. 1998. Death of Pol Pot: The Questions. Available at: https://www.nytimes.com/1998/04/18/world/death-pol-pot-questions-khmer-rouge-rush-cremate-pol-pot-s-body-without-autopsy.html (accessed 25/6/2018).

SHERMAN, Cindy. 1982. Catalogue of Stedelijk Museum Exhibition. München: Schirmer Mosel.

SHNEER, David. 2014. Ghostly Landscapes: Soviet Liberators photograph the Holocaust. Humanity, Volume 5, Number 2, Summer 2014, pp. 235-246. Philadelphia: University of Pennsylvania Press. Available at: https://www.researchgate.net/publication/265725478_Ghostly_Landscapes_Soviet_Liberators_Photograph_the_Holocaust (accessed 29/01/2019).

SHORE, Stephen. 2007. The Nature of Photography. 2nd Edition. London: Phaidon Press.

SHORE, Stephen. 2017. Selected Works 1973-1981. New York: Aperture.

SISCHY, Ingrid. 1991. Good Intentions (Sebastião Salgado).Available at: https://paulturounetblog.files.wordpress.com/2008/03/good-intentions-by-ingrid-sischy.pdf (accessed 17/03/2019).

SKELTON Anthony. 2012. William David Ross, The Stanford Encyclopedia of Philosophy. (Summer 2012 Edition). Edward N. Zalta (Editor). Available at:  https://plato.stanford.edu/archives/sum2012/entries/william-david-ross/ (accessed 18/05/2019).

SLINGERLAND, Edward. 2003. Confucius Analects. Indianapolis: Hackett.

SLUIS, Katrina. 2018. 1000 Words Interview with Lewis Bush. Available at http://www.1000wordsmag.com/katrina-sluis/ (accessed 7/10/2018).

SMITH, David Woodruff. 2018. Phenomenology: The Stanford Encyclopedia of Philosophy. Edward N. Zalta (Editor). Available at: https://plato.stanford.edu/archives/sum2018/entries/phenomenology/ (accessed 7/10/2018).

SMITH, W. Eugene & SMITH, A.M. 1975. Minamata. New York: Alskog-Sensorium.

SMITH, W. Eugene. 2013. The Big Book. Austin: University of Texas Press.

SNYDER, J. 1994. Territorial Photography in Landscape and Power, ed. W. J. T. Mitchell. Chicago: University of Chicago Press.

SNYDER, Joel & ALLEN, Neil Walsh. 1975. Photography, Vision, Representation. Critical Inquiry, Vol 2, No 1 (Autumn 1975). Chicago: University of Chicago. Available at: https://www.jstor.org/stable/pdf/1342806.pdf?refreqid=excelsior%3A5d2fe2ba92403c052f1d6ca1fe6af6aa (accessed 02/02/2019).

SONTAG, Susan. 1977. On Photography. New York: Anchor Books.

SONTAG, Susan. 1981. Under the Sign of Saturn. New York: Viking Books. Available at: https://monoskop.org/images/8/83/Susan_Sontag_Under_the_Sign_of_Saturn_1981.pdf (accessed 03/02/2019)

SONTAG, Susan. 2003. Regarding the Pain of Others. New York: Farrar Strauss and Giroux.

SONTAG, Susan. 2004. Regarding the Torture of Others. New York Times Magazine. Available at: https://www.nytimes.com/2004/05/23/magazine/regarding-the-torture-of-others.html (accessed 9/4/2018).

SOTH, Alec. 2014. Songbook. London: Mack Books.

SOUTHAM, Jem. 2018. The Moth. London: Mack Books.

SOUTTER, Lucy. 2013. Why Art Photography? Abingdon: Routledge.

SQUIERS, Carol (Ed.). 2014. What is a Photograph?New York: International Center of Photography.

STACEY, Ralph, GRIFFIN, Douglas & SHAW, Patricia. 2000. Complexity in Management. London: Routledge.

STALLABRASS, Julian (Editor). 2013. Documentary. Documents of Contemporary Art. London: Whitechapel Gallery.

STANDEN, Mark. 1994. Passage through Angkor. London: New Holland.

STEARNS, Jason. 2011. Shocking Pink. The Guardian. Available at: https://www.theguardian.com/artanddesign/2011/may/28/richard-mosse-infrared-photos-congo (accessed 04/02/2019).

STEICHEN, Edward. 2007. Edward Steichen. Robert Delphire, Series Editor. Photofile. London: Thames & Hudson.

STEIN, Susan. 2020. Migrant Mother, Migrant Gender. London: Mack Books.

STEPHENSON, Sam. 2017. Gene Smith’s Sink: A Wide-Angle View. New York: Farrar, Strauss & Giroux.

STEVENS, Julia. 2015. Blake Stimson’s Allan Sekula and Paul Strand lecture. Lewis & Clark: Reinventing Documentary: The Art of Allan Sekula. Available at http://www.piolog.com/2015/02/27/blake-stimsons-allan-sekula-and-paul-strand-lecture/ (accessed 22/04/2019).

STILES, Kristine & SELZ, Peter. 2012.  Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writing(2nd Ed.). Berkeley:  University of California Press.

STIMSON. Blake, 2006. The Pivot of the World: Photography and Its Nation. Cambridge: MIT Press.

STIMSON, Blake. 2015. Allan Sekula and Paul Strand. Lecture at Lewis & Clarke College. Available at: https://livestream.com/accounts/6041748/events/3835641 (accessed 22/04/2019).

STIPE, Michael & COUPLAND, Douglas. 2019. Our Interference Times: A Visual Record. Bologna: Damiani.

STONE, Philip R. 2006. A Dark Tourism Spectrum – Towards a Typology of death and macabre related tourist sites, attractions and exhibitions. Tourism: An Interdisciplinary International Journal, 54 (2) pp 145-160. Available at: http://clok.uclan.ac.uk/27720/1/27720%20fulltext_stamped.pdf (accessed 09/06/2019).

STOURDZÉ, Sam et al. 2019. Arles 2019: Les Rencontres Da La Photographie. Arles: Les Rencontres.

STRANGIO, Sebastian. 2014. Hun Sen’s Cambodia. Chiang Mai; Silkworm Books.

STRUK, Janina. 2004. Photographing the Holocaust. London: I.B. Taurus.

STURKEN, Martita & CARTWRIGHT, Lisa. 2009. Practices of Looking: An Introduction to Visual Culture. Oxford: Oxford University Press.

SULER, John. Not dated. Mindfulness in Photography. Available at http://truecenterpublishing.com/photopsy/mindfulness.htm (accessed 10/08/2018).

SUN TZU. 5th BC. The Art of War. Ed. James Clavell, 1983. New York: Bantam Doubleday Dell.

SUN TZU. 5th BC. The Art of War. Trans. Thomas Cleary, 1988. Boston: Shambhala.

SUN TZU. 5th BC. The Art of Strategy. Trans. R.L. Wing, 1988. Wellingborough: Aquarian Press.

SUN TZU. 5th BC. The Art of War (Illustrated). Ed. Tsai Chih Chung, Trans. Leong Weng Kam, 1991. Singapore: Asiapac Books.

SUTHERLAND, Patrick. 2000. Spiti, the Forbidden Valley. London: Network Photographers.

SUZUKI, Risaku. 2007. Kumano, Yuki, Sakura. Tokyo: Tokyo Metropolitan Museum of Photography / Tankosha Publishing.

SUZUKI, Risaku. 2015. Stream of Consciousness. Niigata-ken: Edition Nord.

SWAIN, Kristen Alley. 1994. Beyond the Potter Box: A Decision Model Based on Moral Development Theory. Association for Education in Journalism and Mass Communication. Available at: https://www.researchgate.net/publication/235782971_Beyond_the_Potter_Box_A_Decision_Model_Based_on_Moral_Development_Theory (accessed 21/05/2019).

SWAIN, Jon.1995. River of Time. London: Heinemann.

SZARKOWSKI, John. 1966. The Photographer’s Eye. 2007 Edition. New York: Museum of Modern Art.

SZARKOWSKI, John & YAMAGISHI, Shoji. 1974. New Japanese Photography. New York: MoMA. Available at: https://assets.moma.org/documents/moma_catalogue_2525_300298255.pdf (accessed 08/07/2018).

SZARKOWSKI, John. 1976. William Eggleston’s Guide. New York: Museum of Modern Art. Available at: http://www.art.ucla.edu/photography/downloads/NOC_W3_02.pdf (accessed 04/02/2018).

SZARKOWSKI, John. 1978. Mirrors and Windows: American Photography since 1960. MoMA. Available at: https://assets.moma.org/documents/moma_catalogue_2347_300062558.pdf (accessed 16/08/2020).

TAGG, John. 1988. The Burden of Representation. Minneapolis: University of Minnesota Press.

TAGG, John. 2009. The Disciplinary Frame. Minneapolis: University of Minnesota Press.

TAYLOR, Paul. 1995. After Andy: SoHo in the Eighties. Melbourne: Schwartz City.

TEJARATCHI, Sean. 1999. Crap Hound #6: Death, Phones & Scissors. 2012 Edition. Self-published.

TERRY, Sara. 2003 – Present. The Aftermath Project. Available at: http://theaftermathproject.org/ (accessed 7/6/2018).

TERRY, Sara. 2018. War Is Only Half the Story: Ten Years of the Aftermath Project. Stockport: Dewi Lewis Publishing.

THACKERA, Tess. 2016. Challenging America’s Most Iconic (and Controversial) Photographer of Native Americans. Available at: https://www.artsy.net/article/artsy-editorial-challenging-america-s-most-iconic-and-controversial-photographer-of-native-americans (accessed 08/08/2019).

THICH Nhat Hanh. 1996. Touching Peace. Berkeley: Parallax Press.

TILLMANS, Wolfgang. 2011. Wolfgang Tillmans. Köln: Taschen.

TILLMANS, Wolfgang. 2012. Wolfgang Tillmans: Neue Welt. Köln: Taschen.

TILLMANS, Wolfgang. 2017. Wolfgang Tillmans 2017. London: Tate Enterprises.

TILLMANS, Wolfgang. 2017. Wolfgang Tillmans. Ostfildern: Hatje Cantz.

TOLSTOY, Leo. 1896 (1966 reprint). What is Art? Indianapolis: Hackett Publishing.

TOLSTOY, Leo. 1896. What is Art? Available at http://gbelic.org/courses/representation-language/readings/tolstoy-whatisart.pdf (accessed 30/12/2018).

TOROSIAN, Michael. 1988. Extempore – Dave Heath, Reflections and rumination on art & personal history. New York: Lumiere Press.

TROUILLOT, Michel-Ralph. 1995. Silencing the Past. Boston: Beacon Press.

TURPIN, Nick. 2017. On The Night Bus. London: Hoxton Mini Press.

TVERSKY, Barbara. 2019. Mind in Motion. New York: Basic Books.

TYNER, James A. 2008. The Killing of Cambodia: Geography, Genocide and the Unmasking of Space. Abingdon: Routledge.

TYNER, James A. 2017. Landscape, Memory, and Post-Violence in Cambodia. London: Rowman & Littlefield.

UNG, Loung. 2000. First they Killed my Father. New York: Harper Collins.

URRY, John & LARSEN, Jonas. 2011. The Tourist Gaze 3.0. New York: Sage.

VAN DIJK, Teun A. 2006. Discourse and Manipulation. Discourse & Society, vol. 17, no. 3, 2006, pp. 359–383. JSTOR. Available at: www.jstor.org/stable/42889055 (accessed 29/4/2018).

VAN GELDER, Hilde Editor. 2005. Constantin Meunier: A Dialogue with Allan Sekula. Leuven: Leuven University Press.

VAN HAAFTEN, Julia. 2015. Aperture Masters of Photography: Berenice Abbott.New York: Aperture.

VANN, Nath. 1998. A Cambodian Prison Portrait. Bangkok: White Lotus.

VARGA, Somogy and GUIGNON, Charles. 2014. Authenticity. The Stanford Encyclopedia of Philosophy (Fall 2017 Edition), Edward N. Zalta (Editor). Available at: https://plato.stanford.edu/archives/fall2017/entries/authenticity/ (accessed 08/09/2019).

VARTANIAN, Ivan, HATANAKA, Akihiro & KAMBAYASHI, Yutaka. 2006. Setting Sun: Writing by Japanese Photographers.New York: Aperture.

VARTANIAN, Ivan & KANEKO, Ryu–ichi. 2009. Japanese Photobooks of the 1960s and ’70s. New York: Aperture.

VERLICHAK, Victoria. 2013. Paula Luttringer:Archaeology of a Tragedy. Aperture. Available at: https://analepsis.files.wordpress.com/2013/12/pluttringerwailing.pdf (accessed 14/08/2019).

VONNEGUT, Kurt. 1969. Slaughterhouse Five. 2019 Edition. London: Vintage Classics.

VONNEGUT, Kurt. 1998. Timequake. London: Vintage Classics.

WADDELL, Chris. 2017. The End Of The Pier Show. Swindon: Waddell Digital.

WALL, Cnor. 2000. Carrying Cambodia. Hong Kong: Visionary World.

WALTHER, Peter. 2018. Lewis W. Hine: America at Work. Cologne: Taschen.

WAMPOLE, Christy. 2015. What would Barthes think of his Hermès scarf? New Yorker Magazine. Available at:https://www.newyorker.com/books/page-turner/barthess-silken-legacy (accessed 26/3/2018).

WANG PRESTON, Yan. 2018. Mother River. Berlin: Hatje Cantz.

WARNOCK, Mary. 1960. Ethics since 1900. 2007 Edition. Mount Jackson: Axios Press.

WATTS, Jennifer and SMITH, Andrew. 2004. Adam Clark Vroman: Platinum Prints. Santa Fe: Andrew Smith Gallery. Available at: https://www.andrewsmithgallery.com/exhibitions/adamclarkvroman/Vroman_catalog.pdf (accessed 17/09/2017).

WEBB, Alex. 2011. The Suffering of Light: Thirty Years of Photographs of Alex Webb. London: Thames & Hudson.

WEBB, Alex and NORRIS WEBB, Rebecca. 2014. On Street Photography and the Poetic Image. New York: Aperture.

WELLS, Liz (Ed.). 2003. The Photography Reader. 2019 Edition. Abingdon: Routledge.

WELLS, Liz. 2011. Land Matters: Landscape Photography, Culture and Identity. London: IB Tauris & Co.

WELLS, Liz. 2015. (5thed.). Photography: A Critical Introduction.  London: Routledge.

WERNER, Walter. 2004. What does the Picture Say? Reading the Intertextuality of Images. The International Journal of Social Education: Indiana Council for the Social Studies. Available at: https://files.eric.ed.gov/fulltext/EJ718728.pdf (accessed 09/02/2019).

WESTERBECK, Colin & MEYEROWITZ, Joel. 2017. Bystander. London: Laurence King Publishing.

WESTERBECK, Colin. 2018. Vivian Maier: The Colour Work. New York: Harper Collins.

WILHELM, William Joseph & GUNAWONG, Panom. 2016. Cultural dimensions and moral reasoning: a comparative study. International Journal of Sociology and Social Policy, Vol. 36 Issue 5/6 pp. 335 – 357. Available at: https://pdfs.semanticscholar.org/11a5/ea16631ea3131c9cd2a1757b150ed1befd75.pdf (accessed 05/06/2019).

WILLIAMS, James. 2003. Gilles Deleuze’s Difference and Repetition. 2013 Edition. Edinburgh: Edinburgh University Press.

WILLIAMS, James. 2011, Gilles Deleuze’s Philosophy of Time; A Critical Introduction. Edinburgh: Edinburgh University Press.

WILLIAMS, Paul. 2004. Witnessing Genocide: Vigilance and Remembrance at Tuol Sleng and Choeung Ek. Oxford: Holocaust and Genocide Studies, Volume 18, Issue 2, 1 January 2004, Pages 234–254.

WILLETT, John. 2007. Bertolt Brecht: Poems 1913-1956. London: Routledge.

WINTER, D. 2011. Damon Winter explains process, philosophy behind award-winning Hipstamatic photos. Poynter website. Available at:  http://www.poynter.org/2011/damon-winter-explains-process-philosophy-behind-award-winning-hipstamatic-photos/119117/ (accessed 26/3/2018).

WISEMAN, Rachel. 2016. Anscombe’s Intention. Abingdon: Routledge.

WITTGENSTEIN, Ludwig. 1922. Tractatus Logico-Philosophicus. London: Kegan Paul.

WITTGENSTEIN, Ludwig. 1953. Philosophical Investigations (Trans. G.E.M. Anscombe). Oxford: Blackwell.

WOLLEN, Peter. 1997. Vectors of Melancholy. In Ralph Rugoff, Editor. The Scene of the Crime, MIT Press, Cambridge, Mass. and London.

WOOD, Allen W. 1981. Karl Marx. 2004 Edition. Abingdon: Routledge.

WUBIN, Zhuang. 2010. Out of Nowhere. Documentary Photography from Cambodia. Available at: https://www.academia.edu/12050966/_Out_of_Nowhere_Documentary_Photography_from_Cambodia_2010 (accessed 5/7/2018).

WUBIN, Zhuang. 2016. Photography in Southeast Asia: A Survey. Singapore: NUS Press.

YALE GENOCIDE STUDIES PROGRAM. Cambodian Genocide Program Interactive Geographic Database. Available at: https://gsp.yale.edu/cambodian-genocide-program-interactive-geographic-database-cgeo (accessed 08/18/2018).

YAMASHITA, Michael.1995.Mekong.New York: Takarajima Books.

YATES, Mick. 1972. Criteria for Diagrammatic Truth. BA Finals. Leeds: University of Leeds.

YATES, Mick. 2000 onwards. Cambodia: Fields of Tragedy. www.yatesweb.com/cambodia-tragedy (accessed 22/4/2018).

YATES, Michael. 2004. The 4Es Leadership Framework (MSc Dissertation).Paris: HEC.

YATES, Mick. 2005. Building Better Organizational Networks. Available at: Mick Yates 2005 – 2018 Building Better Organizational Networks (accessed 08/06/2019).

YATES, Mick. 2009. Developing Leaders in a Global Landscape, in GIBER, David, LAM, Samuel, GOLDSMITH, Marshall and BOURKE, Justin (Editors). Linkage Inc’s Best Practices in Leadership Development Handbook (2nd edition). San Francisco: Pfeiffer.

YATES, Mick. 2009. Raw Manifesto: Poetry from an Edge or Two. Self-Published: Blurb.

YATES, Mick. 2013. Big Data and Leadership, in New Eyes: The Human Side of Change Leadership. Peterborough: Fast Print Publishing.

YATES, Mick. 2019. Unfinished Stories of Cambodia | From Genocide to Hope. Phnom Penh: IPML. Available at: https://issuu.com/mickyates/docs/unfinished_stories___from_genocide_to_hope (accessed 02/12/2019).

YATHAY, Pin. 1987. Stay Alive my Son. Chiang Mai: Silkworm.

YOUNG, James O. 1997. The Coherence Theory of Truth. The Stanford Encyclopedia of Philosophy (Fall 2018 Edition). Edward N. Zalta (Editor). Available at: https://plato.stanford.edu/archives/fall2018/entries/truth-coherence/ (accessed 23/05/2019).

ZACK, Naomi (Ed.).  2017. The Oxford Handbook of Philosophy of Race. New York: Oxford University Press.

ZIEBINSKA-LEWANDOWSKA, Karolina (Curator).  2018. David Goldblatt at Centre Pompidou. Available at: https://www.centrepompidou.fr/cpv/resource/cxnRgkK/rznEq9e  (accessed 01/02/2019).

ZELIZER, Barbie. 1998. Remembering to Forget. Chicago: University of Chicago Press.

ZELIZER, Barbie (Ed.). 2001. Visual Culture and the Holocaust. New Brunswick: Rutgers University Press.

ZHENG, Liu. 2004. The Chinese. Göttingen: Steidl.

ZOBEL, Jaime. 1994. Homage. Manila: Ayala Foundation.

ZUIDERVAART, Lambert. 2015. Theodor W. Adorno. The Stanford Encyclopedia of Philosophy (Winter 2015 Edition), Edward N. Zalta (Editor). Available at: https://plato.stanford.edu/entries/adorno/ (accessed 30/03/2019).