Bibliography

Addario, Lynsey. 2018. Of Love & War. New York: Penguin Press.

Anscombe, Elizabeth & Geach, Peter. 1954. Descartes: Philosophical Writings. London: Nelson.

Aurutick, Sharon.1989. Angkor, Heart of an Asian Empire. London: Thames & Hudson.

Ayres, David M. 2000 (2003 Ed.). Anatomy of a Crisis. Education, Development and the State in Cambodia, 1953-1998. Chiang Mai: Silkworm Books.

Azoulay, Ariella. 2008. The Civil Contract of Photography. New York: Zone Books.

Azoulay, Ariella. 2010. Getting Rid of the Distinction Between the Aesthetic and the Political. Theory, Culture & Society, 27 (7-8): 239-262.

Balzer, David. 2015. Curationism: How Curating Took Over the Art World and Everything Else. London: Pluto Press.

Banksy, (Gunningham, Robin). 2004. Cut it Out. Weapons of Mass Disruption.

Banksy, (Gunningham, Robin). 2005. Wall and Piece. London: Random House.

Barthes, Roland. 1980. Camera Lucida. New York: Hill & Wang.

Barthes, Roland. 1977. Image-Music-Text. London: Fontana.

Batchen, Geoffrey, Gidley, Mick, Miller, Nancy K., & Prosser, Jay (Eds.). 2012. Picturing Atrocity. London: Reaktion Books.

Bate, David. 2016. Photography: The Key Concepts. 2nd. Ed. London: Bloomsbury.

Baumgarten, Alexander. 1735 (1954 edition). Reflections on Poetry. London: Cambridge University Press. Available at https://archive.org/stream/reflectionsonpoe030202mbp/reflectionsonpoe030202mbp_djvu.txt (Accessed 12/09/2019).

Beaumont-Thomas, Ben. 2016. Jeff Mitchell’s best photograph: ‘These people have been betrayed by UKIP’. The Guardian. Available at: https://www.theguardian.com/artanddesign/2016/jun/22/jeff-mitchells-best-shot-the-column-of-marching-refugees-used-in-ukips-brexit-campaign. (Accessed 26/3/2018).

Becker, Elizabeth. 1986, revised 1998. When the War was Over. New York: Public Affairs, Perseus.

Beeren, W.A.L. & Schoon, Talitha (Eds). 1983. David Salle. Rotterdam: Museum Boymans-van Beunigen.

Bell, Jeffrey A. 2009. Deleuze’s Hume. Edinburgh: Edinburgh University Press.

Benjamin, Walter. 1936 (2008 Ed.). The Work of Art in the Age of Mechanical Reproduction. London: Penguin.

Benton, Maya (Ed.). 2013. Roman Vishniac Rediscovered. New York: International Center of Photography / Prestel.

Berger, John. 1967. Understanding a Photograph. London: Penguin.

Berger, John. 1972 (2008 Ed.). Ways Of Seeing. London: Penguin.

Birk, Lukas & Foley, Sean. 2008. Kafkanistan. Austria: ?Fraglich

Birk, Lukas. 2018. One Year in Yangon 1978. Lukas Birk: Austria.

Bishop, Claire. 2012. Artificial Hells. London: Verso Books.

Bishop, Claire. 2012. Delegated Performance: Outsourced Authenticity. Tate Video from Inside Out: Materialising the Social Conference. http://www.tate.org.uk/context-comment/video/insideoutside-materialising-social-part-2. (Accessed 5/6/2018).

Bishop, Claire. 2013. Radical Museology. London: Koenig Books.

Bishop, Claire. 2007. Spectacle and Participation.Tate Video from Rethinking Spectacle Conference. http://www.tate.org.uk/context-comment/video/rethinking-spectacle-video-recordings#open264811. (Accessed 5/6/2018).

Bleiker, Roland (Ed.). 2018. Visual Global Politics: Interventions. Oxford/New York: Routledge.

Bolter, Jay David & Grusin, Richard. 1998. Remediation: Understanding New Media. Cambridge: MIT Press.

Boot, Chris & Smith, Stuart (Eds.). 2015. Hiroji Kubota Photographer. New York; Aperture Books.

Bou, Meng. 2010. A survivor from Khmer Rouge Prison S-21. Phnom Penh: Documentation Center of Cambodia.

Bright, Susan, 2010. Autofocus: The Self-Portrait in Contemporary Photography. London: Thames & Hudson.

Briot, Alain. 2014. How Photographs are Sold. Santa Barbara: Rocky Nook.

Brouwer, Andy. 2011. To Cambodia With Love. Singapore: Things Asian Press.

Brouws, Jeff, Burton, Wendy, Zschiegner, Hermann (Eds.). 2013. Various Small Books: Referencing Various Small Books by Ed Ruscha. Cambridge, Mass: MIT Press.

Bühler, Melanie. 2015. Online Image Behavior, Where Photographs Live Today. Available at: https://www.fotomuseum.ch/en/explore/still-searching/articles/27008_online_image_behavior_where_photographs_live_today. (Accessed 12/07/2018).

Burgin, Victor. 1986. The End of Art Theory: Criticism and Modernity. London: Macmillan Education.

Burke, Edmund.1757. A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and the Beautiful.Oxford: Oxford Paperbacks.

Bush, Lewis. 2018. Metropole. London: Overlapse.

Cairns, Antony. 2013. LDN. London: Archive of Modern Conflict.

Campany, David. 2003. Safety in Numbness: Some Remarks on Problems of ‘Late Photography’. David Campany website. Available at: http://davidcampany.com/safety-in-numbness/. (Accessed 26/3/2018).

Campany, David. 2012. Art and Photography (Theme & Movements). London: Phaidon.

Campany, David. 2014. The Open Road. New York: Aperture.

Carlsen, Thomas Weber & Krogsgaard, Jan. 2011. Voices of Cambodia Trailer. Available at https://www.youtube.com/watch?v=pkape7qTI_I. (Accessed 13/07/2018).

Carrison, Muriel Pashkin. 2011. Cambodian Folk Stories from the Gatiloke. Boston: Tuttle.

Cartier-Bresson, Henri.1952. The Decisive Moment. 2014 Ed. Göttingen: Steidl.

Caswell, Michelle. 2014. Archiving the Unspeakable: Silence, Memory, and the Photographic Record in Cambodia. Madison: University Wisconsin.

Ceschel, Bruno. 2015. Self Publish, Be Happy. New York: Aperture.

Cham, Jorge. 2009. Core Principles in Research. Available at: http://phdcomics.com/comics/archive.php?comicid=1237.(accessed 2/9/2018).

Chanda, Nayan. 1986. Brother Enemy: Indochina since Saigon. Bangkok: Asia Books.

Chandler, David. 1996. A History of Cambodia. Chiang Mai: Silkworm Books.

Chandler, David. 1999. Brother Number One: Biography of Pol Pot. London: Westview.

Chandler, David. 1999. Voices from S-21. Chiang Mai: Silkworm Books.

Chaskielberg, Alejandro. 2011. La Creciente. Portland: Nazraeli Press.

Chum, Mey. 2010. Survivor. Phnom Penh: Documentation Center of Cambodia.

Clark, Edmund. 2010. Guantanamo: If The Light Goes Out. Stockport: Dewi Lewis Publishing.

Clayton, Cam. 2011. The Psychical Analogon in Sartre’s Theory of the Imagination. Sartre Studies International Vol. 17, No. 2, pp. 16-27.

Coates, Karen J. 2005. Cambodia Now; Life in the Wake of War. North Carolina: Macfarland & Co.

Colberg, Jörg. 2017. Understanding Photo Books. New York & London: Focal Press.

Cotton, Charlotte. 2004 (2014 3rd ed). The Photograph as Contemporary Art. London: Thames & Hudson.

Courtney, Richard. 1971. Imagination and the Dramatic Act: Comments on Sartre, Ryle, and Furlong. The Journal of Aesthetics and Art Criticism, Vol. 30, No. 2.

Curtis, Grant. 1998. Cambodia Reborn? Washington: Brookings Institute.

De Beaupré, Antoine et al (Eds.). 2016. Total Records: Photography and the Art of the Album Cover. New York: Aperture.

De Middel, Christina. 2012. The Afronauts. Available at: http://www.lademiddel.com/the-afronauts-1.html. (accessed 7/6/2018).

Dearing, Christopher & Dy, Khamboly. 2014. A History of the Anlong Veng Community. Phnom Penh: Sleuk Rith Institute (SRI) / Documentation Center of Cambodia (DC-Cam).

Dearing, Christopher & Ly, Sok-Kheang. A History of the Anlong Veng Community: Guidebook for Tour Guides. Phnom Penh: Sleuk Rith Institute (SRI) / Documentation Center of Cambodia (DC-Cam).

Deleuze, Gilles. 1953 (1991 edition). Empiricism and Subjectivity: An Essay on Hume’s Theory of Human Nature. New York: Columbia University Press.

Derrida, Jacques, 2010. A Conversation on Photography (edited by G. Richter). Stanford: Stanford University Press.

Di Bello, Patrizia (Ed.). 2012. The Photobook. New York: I.B Tauris & Co.

Dillon, Brian. 2011. Rereading: Camera Lucida by Roland Barthes. The Guardian. Available at: https://www.theguardian.com/books/2011/mar/26/roland-barthes-camera-lucida-rereading. (Accessed 26/3/2018).

Doyle, Michael W. 1995. UN Peacekeeping in Cambodia. Boulder: Rienner.

Dufour, Diane & Witovsky, Matthew S. 2017. Provoke: Between Protest and Performance. Göttingen: Steidl.

Dunlop, Nic. 2005. The Lost Executioner. London: Bloomsbury.

Durden, Mark. 2013. Fifty Key Writers on Photography. Oxford: Routledge.

Dy, Khamboly. 2007. A History of Democratic Kampuchea (1975-1979).Phnom Penh: Documentation Center of Cambodia.

Ebihara, Mortland & Ledgerwood. 1994. Cambodian Culture since 1975.Ithaca: Cornell University Press.

Elkins, James. 2014. The Object Stares Back: On the Nature of Seeing. New York: Simon & Schuster.

En, Nhem & Duong, Dara. 2014. The Khmer Rouge’s Photographer at S21. Phnom Penh: Nhem En.

Evans, Walker. 2012. American Photographs: Anniversary Edition. New York: Museum of Modern Art.

Flusser, Vilém. 1983 (Trans. 2000). Towards a Philosophy of Photography. London: Reaktion Books.

Fontcuberta, Joan (Ed). 2002. Photography. Crisis of History. Barcelona: Actar.

Fontcuberta, Joan. 2014. Pandora’s Camera: photogr@phy after photography. London: Mack.

Foucault, Michel.  1973. Seeing and Knowing in the Birth of the Clinic: An Archaeology of Medical Perception. New York: Pantheon Books.

Foucault, Michel. 1977. Discipline and Punishment. London: Allen Lane.

Frankel, Felice. 2002. Envisioning Science: The Design and Craft of the Science Image. Cambridge, Massachusetts: MIT Press.

Frankfurt, Harry. 2005. On Bullshit. Princeton: Princeton University Press.

Frankfurt, Harry. 2015. On Inequality. Princeton: Princeton University Press.

Frankfurt, Harry. 2006. On Truth. Princeton: Princeton University Press.

Fredlake, Christopher & Wang, Kai Wang. 2008. EINSTein goes to Warhttps://www.cna.org/CNA_files/PDF/D0018865.A1.pdf (Accessed 23.6.2018)

Freeman, Michael & Jacques, Claude.1999. Angkor. London: Houghton Mifflin.

Fuchs, R., Mignot, D. & Mulder, A. 1999. David Salle. Ostfildern-Ruit: Hatje Cantz Verlag.

Fukase, Masahisa. 2017 Edition. Ravens. London: Mack Books.

Fulford, Jason. 2014. The Photographer’s Playbook: 307 Assignments and Ideas. New York: Aperture.

Gatiloke Stories. Available at http://khmerstudies.org/wp-content/uploads/2013/06/2.-Cambodian-Folk-Stories-from-the-Gatiloke.pdf?lbisphpreq=1. (Accessed 03/11/2018).

Gautrand, Jean Claude (Ed.). Eugène Atget, Paris. Köln: Taschen.

Geach, Peter & Black, Max. 1960 (2nd ed). Philosophical Writings of Gottlob Frege. Oxford: Blackwell.

Ghirri, Luigi. 2017 Edition. Kodachrome. London: Mack Books.

Ghirri, Luigi. 2017. The Complete Essays. London: Mack Books.

Giovannelli, Alessandro. 2017 (revised from 2005) Goodman’s Aesthetics. The Stanford Encyclopedia of Philosophy. Edward N. Zalta (ed.). Available at: https://plato.stanford.edu/archives/fall2017/entries/goodman-aesthetics. (Accessed 26/3/2018)

Girardin, Daniel & Pirker, Christian. 2012. Controversies; A Legal and Ethical History of Photography. Arles: Actes Sud Publishers.

Glickman Lauder, Judy. 2018. Beyond the Shadows: The Holocaust and the Danish Exception. New York: Aperture.

Goldberg, Jim. 2008. War Is Only Half The Story: The Aftermath Project, Volume 1: V1. New York: Aperture.

Goodman, Nelson. 1968, revised 1976. Languages of Art: An Approach to a Theory of Symbols. Indianapolis: Hackett Publishing Company.

Gottesman, Evan. 2002. Cambodia after the Khmer Rouge. New Haven: Yale University Press.

Gracyk, Theodore. 2016 (revised from 2003). Hume’s Aesthetics. The Stanford Encyclopedia of Philosophy. Edward N. Zalta (Ed.). Available at https://plato.stanford.edu/entries/hume-aesthetics/. (Accessed 12/09/2018).

Grant, Scott. 2014. Professional Photography: The New Global Landscape Explained. London: Routledge.

Green, T.H. & Grose, T.H.  1874-75. The Philosophical Works of David Hume. London: Longman.

Greenberg, Clement ed. O’Brian, John. 1955. The Collected Essays and Criticism. Chicago: University of Chicago Press.

Greenough, Sarah. 2009. Looking In: Robert Frank’s The Americans. Washington: National Gallery of Art/Steidl.

Grundberg, Andy. 1981. Death in the Photograph. New York Times. Available at: http://www.nytimes.com/1981/08/23/books/death-in-the-photograph.html?pagewanted=all. (Accessed 26/3/2018)

Grundberg, Andy. 1989. Blaming a Medium for its Message. New York Times, Arts and Leisure section. Available at: http://www.nytimes.com/1989/08/06/arts/photography-view-blaming-the-medium-for-its-message.html?pagewanted=all(Accessed 26/03/2018).

Grundberg, Andy. 1999 (2010 3rd ed). Crisis of the Real: Writings in Photography. New York: Aperture.

Hackett, Sophie, Kunard, Andrea & Stahel, Urs (Editors). Anthropocene: Burtynsky, Baichwal, De Pencier. Fredericton: Goose Lane.

Hariman, Robert & Lucaites, John Louis. 2016. The Public Image: Photography and Civic Spectatorship. Chicago: Univ. Chicago Press.

Harris, James A. 2015. Hume: An Intellectual Biography. Cambridge: Cambridge University Press.

Hatch, Kevin. 2005. Something Else’: Ed Ruscha’s Photographic Books.October 111 (2005): 107–126. https://www.academia.edu/32041634/_Something_Else_Ed_Ruschas_Photographic_Books

Hedges, Nick. 2012. In the Shadows. Shrewsbury: Blurb Books.

Heidegger, M. 1977 (W. Lovitt translation). The Question Concerning Technology and Other Essays. New York: Harper & Row. Also available at https://monoskop.org/images/4/44/Heidegger_Martin_The_Question_Concerning_Technology_and_Other_Essays.pdf(Accessed 7/10/2018).

Help, John.1996. East is West. Tokyo: Tuttle.

Herbert, Robert L. (Ed). 2000. Modern Artists on Art. (2nded.). Mineola, NY: Dover.

Herschdorfer, Natalie. 2011. Afterwards. London: Thames & Hudson.

Hine, Lewis W. 1977. Men at Work. New York: Dover.

Hinton, Alexander & Veneciano, Jorge Daniel. 2007. Night of the Khmer Rouge. Paul Robeson Gallery, Rutgers, State University of New Jersey.

Hinton, Alexander L. 2005. Why did they Kill? Berkeley: University of California Press.

Hodgson, Francis. 2012. Quality Matters. Photoboekenmarathon, Huis Marseille, Amesterdam. Available at: https://www.youtube.com/watch?v=3dj3Wq-I7tc. (Accessed 9/4/2018).

Holborn, Mark (Ed.) & Moriyama, Daido. 2017. Daido Moriyama: Record. New York: Thames & Hudson.

Hondros, Chris. 2014. Testament. Brooklyn: Powerhouse Books.

Hopkinson, Amanda. 2009. Bill Jay, Photographer & Writer. Obituary. Available at: https://www.theguardian.com/artanddesign/2009/aug/05/bill-jay-obituary. (Accessed: 16/8/2018).

Hume, David. 1777 (Ed. Selby-Bigge, L.A., 1893. 1962 edition). Enquiries Concerning the Human Understanding and Concerning the Principles of Morals. Oxford: Clarendon Press.

Hume, David. 1777 (Ed. Selby-Bigge, L.A., 1888. 2010 edition). Treatise of Human Nature. Oxford: Clarendon Press.

Hurn, David & Havlin, Laura. 2017. Behind the Image: David Hurn’s Beatlemania. Available at https://www.magnumphotos.com/theory-and-practice/behind-image-david-hurns-beatlemania/. (Accessed 23/09/2018).

Hurn, David, Doggett, Peter & Nourmand, Tony. 2015. The 1960s: Photographed by David Hurn. London: Reel Art Press.

Jaar, Alfredo. 1994-2000. The Rwanda Project. Available at: http://www.alfredojaar.net/main.html. (Accessed 13/07/2018).

Jay, Bill. 1992. Occam’s Razor. Tucson: Nazraeli Press.

Jay, Bill & Hurn, David. 1996. On Being a Photographer. Available at: http://www.greenacre.info/Photography/On%20Being%20a%20Photographer.pdf. (Accessed 2/09/2018).

Jay, Martin. 1993. Downcast Eyes. Oakland: University of California Press.

Jeffrey, Ian. 2008. How to Read a Photograph. London: Thames & Hudson.

Kairos. Undated. A Review of Remediation. Available at http://kairos.technorhetoric.net/6.1/reviews/blakesley/glossary.html. (Accessed 14/10/2018).

Kamm, Henry.1998. Cambodia, Arcade.

Kandinsky, Wassily. 1911. Concerning the Spiritual in Art (Sadler Translation). Online document © 2002 Blackmask Online. Available at: http://www.public-library.uk/ebooks/22/92.pdf(Accessed 15/04/18).

Kandinsky, Wassily. 2014. Concerning the Spiritual in Art (Re-Translation by Golffing, Harrison & Ostertag). New York: George Wittenborn Inc.

Kant, Immanuel.1790. The Critique of Judgment (Part I, Critique of Aesthetic Judgment).Oxford: Oxford University Press.

Karras, Tero; Aila, Tim; Laine, Samuli; Lehtinen, Jaakko (NVIDIA and Aalto University). 2018. Progressive Growing of GANs for Improved Quality, Stability, and Variation. Available at http://research.nvidia.com/publication/2017-10_Progressive-Growing-of. (Accessed 22.6.2018).

Kelly, M. 1994. Critique and Power:  Recasting the Foucault/Habermas Debate inStudies in Contemporary German Social Thought. Boston: MIT Press.

Kenny, A. 1968. Descartes: A Study of his Philosophy. New York: Random House.

Kerouac, Jack. 2000 Edition. On The Road. London: Penguin Classics.

Kiernan, Ben.1996. The Pol Pot Regime. Chiang Mai: Silkworm Books.

Killip, Chris. 1988. In Flagrante Two. 2ndEd. 2015. Göttingen: Steidl.

Klein, William. 1995 Edition. New York. London: Dewi Lewis Publishing.

Komosinski, Maciej & Adamatzky, Andrew (Eds). 2009. Artificial Life Models in Software. Heidelberg: Springer.

Krisher, Bernie.1990. Sihanouk Reminisces. Phnom Penh: Duang Kamol.

Kubota, Hiroji. 2015. Hiroji Kubota Photographer. New York: Aperture.

La Grange, Ashley. 2005. Basic Critical Theory for Photographers. Oxford: Elsevier.

Lacan, Jacques. 1978. Four Fundamental Concepts in Psychoanalysis, ed Jacques-Alain Miller and trans Alan Sheridan. New York:  Norton.

Lacoste, Michel Conil. 1979. Kandinsky. Bergamo: Bonfini.

Lange, Dorothea. 2018. Politics of Seeing. London/Paris: Barbican/Jeu De Paume.

Laurent, Olivier. 2017. Time Magazine. Why We Do It: Photographers and Photo Editors on the Passion That Drives Their Work. Available at http://time.com/4839246/photographers-passion/. (Accessed 22/09/218).

Leibovitz, Annie. 2017. Portraits 2005-2016. London: Phaidon.

Linfield, Susie.2010.The Cruel Radiance: Photography and Political Violence. Chicago: University of Chicago Press.

Linfield, Susie. 2014. Advertisements for death. New York Times. Available at: https://www.nytimes.com/2014/01/28/opinion/advertisements-for-death.html?_r=1.(Accessed 27/03/2018).

Linke, Uli & Smith, Taana. 2009. Cultures of Fear: A Critical Reader. New York: Pluto Books.

Lister, Martin (Ed.). 2013 (2nd ed). The Photographic Image in Digital Culture. London: Routledge.

Lister, P M. 2012. Visual Analysis in Visual Communication: Images with Messages. Paul Lister website.Available at: http://paulmartinlester.info/visual_analysis.pdf.(Accessed 26/3/2018).

Locard, Henri. 2004. Pol Pot’s Little Red Book: The Sayings of Angkar. Chiang Mai: Silkworm Books.

Lynch, Janelle. 2018. Another Way of Looking at Love. Santa Fe: Radius Books.

Mann, Sally. 2015. Sally Mann’s Exposure. New York: New York Times Magazine. Available at:  https://www.nytimes.com/2015/04/19/magazine/the-cost-of-sally-manns-exposure.html?_r=1. (Accessed 9.4.2018).

McCurry, Steve. 2013. Untold: The Stories Behind the Photographs. London: Phaidon.

McLuhan, Marshall & Fiore, Quentin, coordinated by Agel, Jerome. 1967 (2008 Reprint). The Medium is the Massage: An Inventory of Effects. London: Penguin Classics.

McLuhan, Marshall. 1964 (2001 Reprint). Understanding Media. London: Routledge Classics.

Mehta, Harish & Julie.1999. Hun Sen: Strongman of Cambodia. Singapore: Graham Brash.

Meiselas, Susan. 1981. Nicaragua: June 1978 – July1979. 2nded. 2016. New York: Aperture edition.

Meiselas, Susan. 1997. Kurdistan: In the Shadow of History. Chicago: University of Chicago Press.

Michael, Glanzberg. 2016. Truth: The Stanford Encyclopedia of Philosophy. Edward N. Zalta (ed.). Available at: https://plato.stanford.edu/archives/win2016/entries/truth (Accessed 26/3/2018).

Mileaf, Jean (Forward). 2013. Ghost Paintings: David Salle in Conversation with Hal Foster. Chicago: Arts Club of Chicago.

Mitchell, W J T. 1994. Landscape and Power. Chicago: University of Chicago Press.

Mizerski, Jim. 2017. Elephant Train: Phnom Penh to Bangkok in 1871. Phnom Penh: Jasmine Image Machine.

Mizerski, Jim. 2016. Cambodia Captured: Angkor’s First Photographers in 1860s Colonial Intrigues. Phnom Penh: Jasmin Image Machine

Montague, Joel, Arnauld, Marie-Hélène & Mizerski, Jim. 2016. Cambodia Past: Explaining the Present. Bangkok: Datasia.

Moriyama, Asako. 2018. Schatzruhe. Tokyo: Moriyama Daido Photo Foundation.

Moriyama, Daido. 2016. Daido Tokyo. New York: Thames & Hudson.

Moriyama, Daido. 2016. Record 32: Kobe. Tokyo: Akio Nagasawa.

Moriyama, Daido. 2017. Record. London: Thames & Hudson.

Mosse, Richard. 2012. Infra. Available at http://www.richardmosse.com/projects/infra. (Accessed 12/11/2018).

Nachtwey, James. 2017. Memoria. Roma: Contrasto.

Nair, P.2011. A Different Light –The Photography of Sebastião Salgado. Durham NC: Duke University Press

Nath, Vann. 1998. A Cambodian Prison Portrait. Bangkok: White Lotus.

Neveu, Roland. 2007 (2015 Ed.). The Fall of Phnom Penh. Bangkok: Asia Horizons.

Nishii, Kazuo. 2001. Daido Moriyama. London: Phaidon Press.

Nissani, Moti. 1997. Ten Cheers for Interdisciplinarity: The Case for Interdisciplinary Knowledge and Research in The Social Science Journal, Volume 34, Number 2, pages 201-216. Copyright © 1997 by JAI Press Inc.

No, Minfong.1991. The Clay Marble. London: Farrer Straus Giroux.

Olin, Margaret.1996. Gazein Critical Theories for Art History,ed Robert Nelson and Richard Shiff. Chicago: University of Chicago Press.

Ono Lennon, Yoko. 2018. Imagine. London: Thames & Hudson.

Osborne, Milton. 1994. Sihanouk. Chiang Mai: Silkworm.

Palmer, Daniel. 2013. A Collaborative Turn in Contemporary Photography? Photographies, 6.1, 117-125. Available at: https://www.tandfonline.com/doi/abs/10.1080/17540763.2013.788843?journalCode=rpho20. (Accessed 26/03/2018).

Palmer, Daniel. 2017. Photography & Collaboration. London: Bloomsbury Academic.

Paris Photo. 2018. Catalogue. Paris Photo.

Parr, Martin & Badger, Gerry. 2004. The Photobook: A History Volume I. London: Phaidon Press.

Parr, Martin & Badger, Gerry. 2006. The Photobook: A History Volume II. London: Phaidon Press.

Parr, Martin & Badger, Gerry. 2014. The Photobook: A History Volume III. London: Phaidon Press.

Pelizzari, Maria Antonella. 2003. Traces of India. Montreal: Canadian Centre for Architecture / Yale Centre for British Art.

Phala, Chea & Dearing, Chris. 2009. A Teacher’s Guidebook: A history of Democratic Kampuchea (1975-1979). Phnom Penh: Documentation Center of Cambodia.

Pinckers, Max. 2017. Red Ink. Ghent: Max Pinckers.

Pinckers, Max. 2017. Margins of Excess. Ghent: Max Pinckers.

Ponchaud, François. 1977. Cambodia: Year Zero.Paris: Henry Holt.

Power, Kevin. 1989. David Salle: Seeing it My Way. Munich: Staatsgalerie Moderner Kunst.

Pran, Dith.1990. Children of Cambodia’s Killing Fields. Chiang Mai: Silkworm Books.

Price, Sir Uvedale. 1796. An Essay on the Picturesque: As Compared with the Sublime and the Beautiful. London: Robson.

Pritchard, Lisa. 2017. Running a Successful Photography Business. London: Bloomsbury.

Pritchard, Lisa. 2011. Setting Up a Successful Photography Business. London: Bloomsbury.

Rawson, P. 1967. Art of Southeast Asia. London: Thames & Hudson.

Riley, Chris & Niven, Douglas. 1996. The Killing Fields. Santa Fe: Twin Palms Publishers.

Ristelhueber, Sophie & Mayer, Marc & Ladd, Jeffrey. 2009. Sophie Ristelhueber: Fait (Books on Books). New York: Errata.

Ritchin, Fred. 2009. After Photography.New York: Norton.

Ritchin, Fred. 2013. Bending the Frame. New York: Aperture.

Roberts, Daniel W. 2001. Political transition in Cambodia, 1991-1999. London: Curzon.

Rodger, George, & Bernard, Bruce. 1994. The Photographic Journey of Georg Rodger. London: Phaidon Press.

Rosler, Martha. 2004. Decoys and Disruptions. Cambridge, Massachusetts: MIT Press.

Ruscha, Ed. 1963. Twenty-Six Gasoline Stations. National Excelsior Press.

Salle, David. 2018. Website. Available at: http://www.davidsallestudio.net. (Accessed 16.10.2018).

Saman, Moises. 2016. Discordia. Treviso: Grafiche Antiga.

Sartre, Jean-Paul. 1940. L’Imaginaire: Psychologie phénoménologique de l’imagination. English Ed. London: Routledge.

Schwager, Christian. 2007. My Lovely Bosnia. Zürich: Edition Patrick Frey.

Schwarberg, Gunther. 2001. In the Ghetto of Warsaw. Göttingen: Steidl.

Setter, Ronald (Ed.). 1966. The Traveller’s Book of Colour Photography. London: Hamlyn.

Sharpley, Richard and Stone, Philip R. (Eds.). 2009. The Darker Side of Travel. Bristol: Channel View Publications.

Shawcross, William.1994. Cambodia’s New Deal. Washington: Brookings Institute.

Shenon, Philip. 1998. Death of Pol Pot: The Questions. Available at: https://www.nytimes.com/1998/04/18/world/death-pol-pot-questions-khmer-rouge-rush-cremate-pol-pot-s-body-without-autopsy.html. (Accessed 25.6.2018).

Shore, Stephen. 2017. Selected Works 1973-1981. New York: Aperture.

Sluis, Katrina. 2018. 1000 Words Interview with Lewis Bush. Available at http://www.1000wordsmag.com/katrina-sluis/. (Accessed 7/10/2018).

Smith, David Woodruff. 2018. Phenomenology: The Stanford Encyclopedia of Philosophy. Edward N. Zalta (ed.). Available at: https://plato.stanford.edu/archives/sum2018/entries/phenomenology/ (Accessed 7/10/2018).

Smith, W. Eugene. 2013. The Big Book. Austin: University of Texas Press.

Smith, W. Eugene & Smith, A.M. 1975. Minamata. New York: Alskog-Sensorium.

Snyder, J. 1994. Territorial Photography in Landscape and Power, ed. W. J. T. Mitchell. Chicago: University of Chicago Press.

Sontag, Susan. 1970. On Photography. New York: Anchor Books.

Sontag, Susan. 2003. Regarding the Pain of Others. New York: Farrar Strauss and Giroux.

Sontag, Susan. 2004. Regarding the Torture of Others. New York Times Magazine. Available at: https://www.nytimes.com/2004/05/23/magazine/regarding-the-torture-of-others.html. (Accessed 9/4/2018).

Standen, Mark.1994. Passage through Angkor. London: New Holland.

Strangio, Sebastian. 2014. Hun Sen’s Cambodia. Chiang Mai; Silkworm Books.

Sturken, Martita & Cartwright, Lisa. 2009. Practices of Looking: An Introduction to Visual Culture. Oxford: Oxford University Press.

Suler, John. Not dated. Mindfulness in Photography. Available at http://truecenterpublishing.com/photopsy/mindfulness.htm. (Accessed 10/08/2018).

Suzuki, Risaku. 2007. Kumano, Yuki, Sakura. Tokyo: Tokyo Metropolitan Museum of Photography/Tankosha Publishing.

Suzuki, Risaku. 2015. Stream of Consciousness. Niigata-ken: Edition Nord.

Swain, Jon.1995. River of Time. London: Heinemann.

Szarkowski, John. 1966 (2007 ed). The Photographer’s Eye. New York: Museum of Modern Art.

Szarkowski, John. 1976. William Eggleston’s Guide. New York: Museum of Modern Art.

Tagg, John. 1988. The Burden of Representation. Minneapolis: University of Minnesota Press.

Tejaratchi, Sean. 1999 (Edition 2012). Crap Hound #6: Death, Phones & Scissors. Self published.

Terry, Sara. 2003 – Present. The Aftermath Project. Available at: http://theaftermathproject.org/. (Accessed 7/6/2018).

Terry, Sara. 2018. War Is Only Half the Story: Ten Years of the Aftermath Project. London: Dewi Lewis Publishing.

Tillmans, Wolfgang. 2011. Wolfgang Tillmans. Köln: Taschen.

Tillmans, Wolfgang. 2012. Wolfgang Tillmans: Neue Welt. Köln: Taschen.

Tillmans, Wolfgang. 2017. Wolfgang Tillmans 2017. London: Tate Enterprises.

Tillmans, Wolfgang. 2017. Wolfgang Tillmans. Ostfildern: Hatje Cantz.

Trouillot, Michel-Ralph. 1995. Silencing the Past. Boston: Beacon Press.

Turpin, Nick. 2017. On The Night Bus. London: Hoxton Mini Press.

Tyner, James A. 2017. Landscape, Memory, and Post-Violence in Cambodia. London: Rowman & Littlefield.

Ung, Loung. 2000. First they Killed my Father. New York: Harper Collins.

Van Dijk, Teun A. 2006. Discourse and Manipulation. Discourse & Society, vol. 17, no. 3, 2006, pp. 359–383. JSTOR,  Available at: www.jstor.org/stable/42889055.(Accessed 29/4/2018).

Wall, Cnor. 2000. Carrying Cambodia. Hong Kong: Visionary World.

Walther, Peter. 2018. Lewis W. Hine: America at Work. Cologne: Taschen.

Wampole, Christy. 2015. What would Barthes think of his Hermès scarf? New Yorker Magazine. Available at:https://www.newyorker.com/books/page-turner/barthess-silken-legacy. (Accessed 26/3/2018).

Webb, Alex. 2011. The Suffering of Light: Thirty Years of Photographs of Alex Webb. London: Thames & Hudson.

Wells, Liz. 2011. Land Matters: Landscape Photography, Culture and Identity. London: IB Tauris & Co.

Wells, Liz. 2015. (5thed.). Photography: A Critical Introduction.  London: Routledge.

Westerbeck, Colin. 2018. Vivian Maier: The Colour Work. New York: Harper Collins.

Westerbeck, Colin & Meyerowitz, Joel. 2017. Bystander. London: Laurence King Publishing.

Williams, Paul. 2004. Witnessing Genocide: Vigilance and Remembrance at Tuol Sleng and Choeung Ek. Oxford: Holocaust and Genocide Studies, Volume 18, Issue 2, 1 January 2004, Pages 234–254.

Winter, D. 2011. Damon Winter explains process, philosophy behind award-winning Hipstamatic photos. Poynter website. Available at:  http://www.poynter.org/2011/damon-winter-explains-process-philosophy-behind-award-winning-hipstamatic-photos/119117/. (Accessed 26/3/2018).

Wittgenstein, Ludwig. 1922. Tractatus Logico-Philosophicus. London: Kegan Paul.

Wittgenstein, Ludwig. 1953. Philosophical Investigations (Trans. G.E.M. Anscombe). Oxford: Blackwell.

Wubin, Zhuang. 2010. Out of Nowhere. Documentary Photography from Cambodia. Available at: https://www.academia.edu/12050966/_Out_of_Nowhere_Documentary_Photography_from_Cambodia_2010_. (Accessed 5/7/2018)

Wubin, Zhuang. 2016. Photography in Southeast Asia: A Survey. Singapore: NUS Press.

Yamashita, Michael.1995. Mekong.New York: Takarajima Books.

Yates, Mick. 2000 onwards. Cambodia: Fields of Tragedy. www.yatesweb.com/cambodia-tragedy. (Accessed 22/4/2018)

Yathay, Pin. 1987. Stay Alive my Son. Chiang Mai: Silkworm.

Zelizer, Barbie. 1998. Remembering to Forget. Chicago: University of Chicago Press.

Zobel, Jaime. 1994. Homage. Manila: Ayala Foundation.