Reflections on the Pandemic

mickyates Documentary, Ethics, Mick's Photo Blog, Photography Leave a Comment

My photographic project on the pandemic and lockdown has also meant daily research and establishment of accurate medical facts, social statistics and news headlines. Today, I got a copy of Richard Horton’s book, The COVID-19 Catastrophe.

Horton has been the editor of the globally influential Lancet peer-review medical journal since 1995. A man not without controversy, but also someone not afraid to offer an opinion. In 1998 he published a (later discredited) paper by Andrew Wakefield and others which suggested that vaccines could cause autism. Horton did withdraw the paper, belatedly in 2010, though he did not regret publishing it, in the spirit of scientific progress. Clearly this helped encourage the ‘anti-vaxxers’ movement.  I write this to offer readers an objective chance to do their own research. Mine suggests that Horton is a man of integrity.

Horton is an outspoken critic of policies put in place against the coronavirus – in the UK, the US, WHO and elsewhere. Without doubt he is extremely well informed and highly connected and respected in global health circles. It is also on the public record that Horton has stage 4 melanoma, perhaps suggesting a certain fearlessness in his opinions.

His book is clearly ‘quick of the blocks’. and no doubt more time will lead to broader and possibly different conclusions. I have to say, though, that it is a page turner. It starts with the global timetable of events, beginning with the first cases in Wuhan and the scientific response. Whilst one could argue with a couple of his statements (did Johnson really suggest herd immunity as a strategy – maybe not, but certainly Vallance said it was a plausible strategy), Horton’s timetable and media summaries check with my own catalogue.

Mick Yates. Day 86 of Social Distancing, Day 78 of Lockdown.

Horton is an equal opportunity critic – China, WHO, the UK Government and science establishment, and the Trump administration. I’ll leave it to readers to decide on their level of agreement. Certainly I find his summary of failings compelling, and particularly accurate for the UK.

First, cognitive bias. Many Governments saw this as an influenza, with therefore relatively understood implications. This affected both political and scientific judgement and slowed down the urgency in understanding the disease.

Second, ‘following the science’. Horton raises the legitimate point about separation of ‘church and state ‘ (my words). Both politicians and scientists have not only the right but the responsibility to test the views of the other party. To what extent did this happen?

Third, and this is a global point, how far did political leadership build trust with the public? In any crisis, publics initially trust Government. Yet to what extent were transparent, interdisciplinary teams created to offer the best advice on dealing with the virus? My interpretation of Horton’s point: linear leadership prevailed not a pooled resource of the best minds which learnt from other countries and disciplines.

We have all seen the exceptionalism. Early in the UK crisis, the Prime Minister and other Ministers stressed the country’s world beating capability to deal with this. Which leads to the next point.

Fourth, preparedness. Asian countries had learnt from the SARS disaster, but did the West? And many Governments were slow to react to Chinese warnings.

In the UK, the recommendations of the pandemic Exercise Cygnus in 2016 were essentially ignored.

Fifth, implementation. Even when the warnings were taken to heart, execution was at best mixed, from provision of essential PPE to testing.

And sixth, communication. mixed messaging and (in Trump’s case) outright misleading suggestions.

Perhaps so far, nothing really new. However, what I find truly impressive about the book is Horton’s ability to step back and see a bigger picture. For example, he quotes Ulrich Beck, from The Risk Society, which stresses our belief that humanity and its science has conquered all. But that is in itself a problem.

‘… the sources of danger are no longer ignorance but knowledge; not a deficient but a perfected mastery over nature; not what eludes the human grasp but the systems of norms and objective constraints established with the industrial epoch’.

Our scientific cockiness (my words) get in the way. Risk is always out there, and we cannot eliminate it. But blind faith doesn’t work, either for or against science. We have to figure out how to coexist with risk at all levels.

Didier Fassin commented that ‘sickness sits at the meeting of biology and biography’. Our life includes how we are in the world, and how we deal with insecurities. It is about the ethics of life, which is not just physical or biological but political. How does society deal with inequality, for example? It is already well proven that certain groups have been hit much harder by COVID-19 than others more fortunate. The pandemic brings these inequality matters into very sharp relief.

John Sutherland wrote this.

Horton also quotes Michel Foucault, and his concept of ‘biopolitics’ – the politics of life. By this, Foucault meant:

‘The problems posed to Governmental practice by phenomena characteristic of a set of living beings forming a population: health, hygiene, birthrate, life expectancy, race …’

Are we all ‘communists now’, as Slavoj Žižek suggests?

Whilst Žižek doesn’t believe that the pandemic will make us wiser, it is likely to have at least some positive consequences.

Good Government is not just politics, it is about the fundamental concerns of citizens. Horton suggests that it is likely that we will see a resurgence in the need for (and demands on) Government. This may challenge our views on privacy, for example, in the desire for safety. And indications are already there that the public are re-evaluating the role of ‘key workers’, and the fundamental need for comprehensive health systems.

In summary, I find this a timely and well-written work. It is brave of Horton to write this whilst we are still in the midst of the pandemic. But there is much food for thought.

Here is another review of Horton’s book by Mark Honigsbaum.

https://www.theguardian.com/books/2020/jun/22/the-covid-19-catastrophe-covid-19-the-pandemic-that-never-should-have-happened-review

…………………..

BECK, Ulrich.1986. Risk Society: Towards A New Modernity. London: Sage.

FASSIN, Didier. 2018. Life: a Critical Users Guide. Cambridge: Polity.

FOUCAULT, Michel. 2008. The Birth of Biopolitics: Lectures at the College De France. Basingstoke: Palgrave Macmillan.

HORTON, Richard. 2020. The COVID-19 Catastrophe. Cambridge: Polity.

ŽIŽEK, Slavoj. 2020. Pandemic! COVID-19 Shakes The World. Cambridge: Polity.

Leica Q2

mickyates Leica, Mick's Photo Blog, Photography Leave a Comment

I have had the Leica Q since it was first on sale in the UK, June 2015. An amazingly long time ago in digital camera years, as it is still my ‘go-to’ camera. But, after a period of procrastination, I decided to go for a Q2. This is a higher resolution, all around upgrade, in essentially the same but now weatherproof body, and with the same excellent Summilux F/1.7 28mm lens. The Q was 24mp, the Q2 is 47mp. The Q2 has built-in cropping at 35mm, 50mm and 75mm equivalent. It also has faster processing, better EVF, video etc.

Thanks to Jono Slack for the table below on crop sizes, and John Kot at dPReview for calculating effective aperture.

  • 28mm – 8368 x 5584px – 47mp. Effective aperture f1.7
  • 35mm – 6704 x 4472px – 30mp. Effective aperture f2
  • 50mm – 4688 x 3128px – 14.6mp. Effective aperture f2.8
  • 75mm – 3136 x 2096 – 6.6mp. Effective aperture f4.6

I got the camera on Friday, from Ivor at the excellent Red Dot Cameras. In the image above, the Q2 is ‘clothed’ in an Angelo Pelle Italian leather half case (my favourite for the Leicas) with an Artisan & Artist Japanese silk strap.

Whilst it is hard to properly show resolution performance on a blog, I have tried a ‘real world’ examination, taken on a local bridle path in deep shadow. The image colours are exactly as shot, with just minor adjustment for dynamic range. No extra sharpening or fiddling. All images have been resized to 2400 for this blog – click on each one to see it bigger.

The photograph was taken in regular (non-macro) mode, at 1/80th sec, F/4.0, manual focus. First, I will show the original, and then various size crops. Cropping was all done out of camera on the DNG original. When  you crop in camera, the Q2 simply adds a frame which is imported into Lightroom on top of the (still full size) DNG file.

8368 x 5584px. 47MP. 28mm full frame.

6704 x 4472px. 30MP. 35mm focal length equivalent.

4687 x 3128px. 14.6MP. 50mm focal length equivalent.

3600 x 2400px. 8.6MP (usual size for my website). Roughly 57mm focal length equivalent.

3136 x 2096px. 6.6MP. 75mm focal length equivalent.

2400 x 1600px. 3.8MP. Roughly 130mm focal length equivalent.

You can see the spider-web detail in this last crop, despite its relatively tiny file size.

I am not posting this as some kind of scientific test – go to DxO Mark if you want that. Neither am I saying that resolution is the be-all and end-all of photography. But the artistic possibilities opened up when Q2 images are cropped are inspiring. It is of course not just the sensor or camera software at work here – it is also that quite extraordinary Summilux F/1.7 lens.

Header image: iPhone 8Plus