Notes from Sealy’s book: ‘Throughout this text I suggest that a photograph of a racialised subject must be both located in and then de-located from the racial and political time of its making and not solely articulated by its descriptive (journalistic) or aesthetic (artistic) concerns. I maintain that it is only within the political and cultural location of a photograph …
A research-led practice
The MA is now in its 21st month. In that time I have flown almost exactly 50,000 miles to and from Cambodia. Looking at my bookshelves, I have added over 120 books to our library on Cambodia and related history, atrocity, Genocide, documentary photography, ethics and critical theory – not to mention several dozen photo books for inspiration. There are …
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