So, what have we here? A nicely constructed, painterly, abstracted image, technically well executed. In certain contexts, it could be seen fine art photography, perhaps? In Barthian terms, though, at first glance it is hard to see Punctum. On the other hand, it is a image in a series of traces of conflict, by Sophie Ristelhueber (Babylon, 2016). In a collection of such traces, it is …
