The Japanese photo magazine ‘Provoke’ only published three issues, in 1968 and 1969. It was a rejection of many of the then-prevailing ‘global’ photographic norms. And it uniquely caught the 1960’s era of protest against American military bases on Japanese soil, Tokyo’s Narita airport extension and more. It also reflected growing Japanese confidence and self-identification after WWII. From the Provoke …
Cultural Context
Almost all of this MA program to date uses a European / American ‘gaze’, in its choice of reading and referenced photographers – even the exercises. This is not unusual. For example, the volume that is a self described ‘bible’ on street photography, Bystander, considers itself as a comprehensive history – yet has almost no references outside of the Western …