Quick links to some of the most ‘influential’ of my posts of the two years of the MA program, in terms of either moving my thinking forward or building my practice.
………………………..
Mick Yates. 2019. Unfinished Stories. BRLSI, Bath.
Final Major Project
A Constructed Image: https://www.yatesweb.com/a-constructed-image/
A Research-Led Practice: https://www.yatesweb.com/a-research-led-practice/
Auschwitz and Memory: https://www.yatesweb.com/photographs-with-text/
Cambodia Project Ethics: https://www.yatesweb.com/cambodia-project-ethics/
Deleuze, Time and Archives: https://www.yatesweb.com/deleuze-time-and-archives/
Ethics of Photography – Participation: https://www.yatesweb.com/ethics-of-photography-participation/
Journalistic Ethics: https://www.yatesweb.com/journalist-ethics/
Lewis Bush – Storytelling Workshop: https://www.yatesweb.com/lewis-bush-storytelling-workshop/
Narrative versus Story: https://www.yatesweb.com/narrative-versus-story/
Notes on Paul Martin Lester’s ‘Visual Ethics’: https://www.yatesweb.com/notes-on-paul-martin-lesters-visual-ethics/
Photographs with Text: https://www.yatesweb.com/photographs-with-text/
Place and Placelessness: https://www.yatesweb.com/place-and-placelessness/
Reflections on Paradox – Curation: https://www.yatesweb.com/reflections-on-paradox-curation/
Socially-Engaged Photography: https://www.yatesweb.com/socially-engaged-photography/
Stereotypes and Navajo: https://www.yatesweb.com/stereotypes-and-navajo/
What is Good? https://www.yatesweb.com/what-is-good/
What is Truth? https://www.yatesweb.com/what-is-truth/
………………………..
Raymond Depardon, Magnum Photos. 1987. Gilles Deleuze. Paris.
Informing Contexts
A Question of Authenticity: https://www.yatesweb.com/a-question-of-authenticity/
Allan Sekula – Fish Story, and Critical Realism: https://www.yatesweb.com/allan-sekula-fish-story-and-critical-realism/
And When I am Formulated, Sprawling on the Head of a Pin: https://www.yatesweb.com/and-when-i-am-formulated-sprawling-on-a-pin/
Artists Statements: https://www.yatesweb.com/artists-statements/
Baudrillard and Simulacrum: https://www.yatesweb.com/baudrillard-and-simulacrum/
Dorothea Lange: https://www.yatesweb.com/dorothea-lange/
Facts and Ethics (Wittgenstein): https://www.yatesweb.com/facts-and-ethics/
Gilbert Ryle: https://www.yatesweb.com/week-twelve-reflections/
Infrared photography: https://www.yatesweb.com/infrared-photography/
Photographing the Holocaust (Janina Struk): https://www.yatesweb.com/photographing-the-holocaust-janina-struk/
Provoke: https://www.yatesweb.com/provoke/
Realism and Imagination: https://www.yatesweb.com/realism-and-imagination/
Responses and Responsibilities: https://www.yatesweb.com/responses-and-responsibilities/
Sebastião Selgado: https://www.yatesweb.com/sebastiao-salgado/
Soviet Holocaust Photography: https://www.yatesweb.com/soviet-holocaust-photography/
The Index and the Icon: https://www.yatesweb.com/the-index-and-the-icon/
The Vernacular Landscape – and Intention: https://www.yatesweb.com/the-vernacular-landscape/
What is Street Photography? https://www.yatesweb.com/what-is-street-photography/IC Critical Review
………………………..
Mick Yates. 2018. Choeung Ek. Prayer From Hell series.
Sustainable Prospects
A Conversation on Reality: https://www.yatesweb.com/a-conversation/
Beyond the Shadows – Judy Glickman Lauder: https://www.yatesweb.com/beyond-the-shadows-judy-glickman-lauder/
Daido Moriyama – Record: https://www.yatesweb.com/daido-moriyama-record/
David Hume – Photography’s Patron Philosopher: https://www.yatesweb.com/david-hume-photographys-patron-philosopher/
Digital: https://www.yatesweb.com/digital/
Gatiloke, Genocide and the Narrative: https://www.yatesweb.com/gatiloke-genocide-and-the-narrative/
………………………..
Mick Yates. 2018. Paper Negatives. Traces series.
Surfaces & Strategies
Artificial Intelligence and Photography: https://www.yatesweb.com/dorothea-lange/
Cambodian Narrative: https://www.yatesweb.com/week-nine-reflections-cambodian-narrative/
Dark Tourism: https://www.yatesweb.com/dark-tourism/
Intimacy: https://www.yatesweb.com/intimacy/
Landscape, Context and WIP: https://www.yatesweb.com/week-ten-reflections-and-wip/
Negative Traces: https://www.yatesweb.com/negative-traces/
Philosophy and Post-Industrial Opium Dens – Vilém Flusser: https://www.yatesweb.com/philosophy-and-post-industrial-opium-dens-vilem-flusser/
Photographs without (my usual) Cameras: https://www.yatesweb.com/photographs-without-cameras/
………………………..
Mick Yates. 1994. What did you say? Huli Tribesmen, Papua New Guinea.
Positions & Practice
A Poet not a Logician: https://www.yatesweb.com/a-poet-not-a-logician/
Constructs and Seeing – https://www.yatesweb.com/constructs-and-seeing/
Globalisation – a Personal Tale: https://www.yatesweb.com/globalisation-a-personal-tale/
Landscape: https://www.yatesweb.com/landscape/
Roland Barthes – Camera Lucida – An Ultimately Depressing book: https://www.yatesweb.com/roland-barthes-camera-lucida-an-ultimately-depressing-book/
The Index and the Icon: https://www.yatesweb.com/the-index-and-the-icon/
The Camera as Judge and Executioner (Michelle Caswell): https://www.yatesweb.com/the-camera-as-judge-and-executioner/
The Cruel Landscape (Susie Linfield): https://www.yatesweb.com/the-cruel-radiance-susie-linfield/
Theory in Practice – Wassily Kandinsky: https://www.yatesweb.com/theory-in-practice-wassily-kandinsky/
………………………..
Header: Daido Moriyama. 1969. Accident Series.